More-than-human truth-to-process.

Collaborating with the world.

[santiago @ttiimmees]

rate my band's logo

@SuperRare

0. ETH

https://t.co/aJIK3EtbkY

[Raven Kwok @RavenKwok]

Also programmed a fog door last night. Building a bonfire is not allowed though.

[The Figen @TheFigen_]

A clever design.
Looks like a container that washes berries and beans almost automatically.
The shape really takes advantage of fluid dynamics.

[Massimo @Rainmaker1973]

Belgian visual artist Carole Louis is the creator of "Through Thousands," a sculpture constructed from thousands of plastic straws.

Like fiber optics, basically thousands of tiny “straws” guiding light across huge distances at near-light speed.

[Pixel Symphony @Pixel0Symphony]

Agnes Denes, Study for Thought Complex. 1970.

Pen and black ink on graph paper.

[Pixel Symphony @Pixel0Symphony]

Luiz Sacilotto, Concretion 8068. 1980.

Tempera on canvas.

[Chepertom @chepertom]

Detail of the last RUG session 🪡

[し゜け゛ @egis_twk]

自分の得意が全部出し切れた作品

[Pixel Symphony @Pixel0Symphony]

Agnes Denes, Human Dust. 1970.
Lithograph on polar coordinate paper.

A mapping of time, knowledge, and perception as a radial system.

[The Figen @TheFigen_]

The art of hands.

[Chris Ried (generatecoll) @generatecoll]

Prepared in all ways

[qubibi @qubibien]

now available

"The Unworn Hours, 0248"
0.1 eth, 1/1, PNG
Sold out!

"The Unworn Hours, 0551"
0.1 eth, 1/1, PNG

[Nature is Amazing ☘️ @AMAZlNGNATURE]

Metallic colors shifting on a Greater Blue-Eared Starling's feathers

[Archaeology & Art @archaeologyart]

Clubs numeral card. Die Jungfrau von Orleans Transformation Playing Card Deck. Designer: Countess Charlotte von Jennison-Walworth. Publisher: Johann Friedrich Cotta, Tübingen, 1805. Technique: Stipple engraving on copperplate.

While the deck's illustrated court cards directly depicted characters from the play, the numeral cards featured independent illustrations like this one, drawn without any shared theme. Plus, aristocrats of this era didn't use these decks strictly for playing games. Like most playing cards in the early 19th century, the backs of Cotta's cards were completely blank and unpatterned. This allowed the nobility to use them as calling cards. When visiting an estate, people would write their names or brief messages on the blank backs to leave word for the host, handing them to the servants at the door.

[Pixel Symphony @Pixel0Symphony]

Agnes Denes. The Reflection (1981); Snail Pyramid, Study for Self-Contained, Self-Supporting City Dwelling: A Future Habitat (1988); Probability Pyramid (1992).

[More-than-human truth-to-process. @NeilleRoux1]

@qubibien qubibi the master

[qubibi @qubibien]

“The Unworn Hours”
A set of still works and a live code piece. Releasing shortly.

Through Tubes, We Now Are™︎

[Pixel Symphony @Pixel0Symphony]

Athanasius Kircher, Ars Magna Lucis et Umbrae (The Great Art of Light and Shadow). 1646.

Engravings.

One of the last great Renaissance polymaths, Kircher was a Jesuit scholar whose work ranged across optics, magnetism, music, linguistics, Egyptology, and cosmology.

[Cliff Pickover @pickover]

Exploring and revealing a vast mathematical landscape formed from a simple formula:

( x & y ) % ( y - x) % 37

Visualization by Non-Euclidean Dreamer, @NonEuclideanDr1, cc by-nc-sa