@lolacoaster I was there last week (also west coast resident) and it was an awful transition complete with migraines and I though I had the flu at one point. Not just you.
@vanessaljones_ It’d be interesting to have “deconstructed” repro shoes next to the originals too. Show raw pieces or partially constructed shoes. Would be a way to tie into the slow fashion construction side.
#MuseumMonday We're definitely not feeling the blues looking at this exquisite pair of women's flat pumps (c. 1815 - 1820) from Spain. Made of pale blue silk satin with matching looped-thread rosettes, this is a welcome addition to the #BSM collection. #MondayMotivation
@AbbyADRV @SallyTuckett@Hannah_Greig@HallieRubenhold That feeling at the end of a long day when you take your bra off is arguably historically universal. Though I admit to falling asleep on the sofa in stays A LOT.
I'll give a resounding YES to this question. My thesis was based around a pair of boots owned by an un-exceptional woman. Her records survived, so that makes her special, but she wasn't famous.
#TBT This 1920s print, "Le Choix Difficile", was an advertisement for designer André Perugia and depicts a young woman choosing between shoes. This graced the catalogue cover of our 2005 exhibition "Icons of Elegance: The Most Influential Shoe Designers of the 20th Century"
Sometimes the shoes I study at museums just beg to be recreated. Especially when they end up on Samantha’s feet. So much to learn in this process! Originals at @HistoricNE
Standard women’s shoe sizes in the mid-19th c had a range similar to US 5-11 today. The small shoe myth is really a combination of illusion and survivor bias.
@FourRedShoes I think the only reason this myth appeared is because we stopped wearing corsets. They complained about high heels in the 19th c as much as tight-lacing!