Alex

black guy

[Alex @NiggaferLopez]

Spring is around the corner.

[Alex @NiggaferLopez]

@SaveYourCinema @Obscure3789 scan it and make it available to us.

[culture @notgwendalupe]

whitney houston produced the movie, in fact it's due to her that the movie was ever made in the first place

[non aesthetic things @PicturesFoIder]

Turkey sent a 51 yr old guy with no specialized lenses, eye cover or ear protection and got the silver medal

[Alex @NiggaferLopez]

Route One/USA (1989) dir. Robert Kramer on YouTube in its entirety. Great quality rip.
https://t.co/bhKheLBGza

[Adam Piron @adam_piron]

gone nearly 30 years and it’s still Don Simpson’s world, we’re all just living in it

[Alex @NiggaferLopez]

https://t.co/17bgnhcGmI

Different vibe but yeah watch all three hours don’t break attention

[Daniel Gorman @DanielGorman20]

Y’all love this shot so much go check out Snow’s La Région centrale it’s literally 3 hours of this and will straight-up rearrange your brain

[Alex @NiggaferLopez]

https://t.co/5JEyOt1a0H

"C'était un Rendez-vous Paris" In a Ferrari 275 GTB by Claude Lelouch

[Time Trip @TimeTriping]

@Morbidful Ayrton Senna onboard camera footage from the Formula 1 Monaco Grand Prix, 1990

[Alex @NiggaferLopez]

@dannyswisherr @itchio Does this update and change the ny mayor per current timelines?

[Alex @NiggaferLopez]

bunch of these liberal arts college ny wiggers bouta go crazy for this one #whiteboysummer

[Ladennifer Jadiniston @_SPACEBAR]

LMAO This what Miles Davis was talking about

[Alex @NiggaferLopez]

@_RareArt https://t.co/640lBIxkFK

But wait… there’s more

[Alex @NiggaferLopez]

I miss normal TV

[Richard Brody @tnyfrontrow]

A word about The Master, from when it came out, with emphasis on what Paul Thomas Anderson and Philip Seymour Hoffman achieved together; back today at @Metrograph at 2, on 35mm.: https://t.co/w2uNufADU9

[Alex @NiggaferLopez]

Love this movie

[MUBI @mubi]

Ultra-contemporary and entirely unique, Radu Jude’s acclaimed and award-winning, cutting-edge satire DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD is now streaming exclusively and (almost) globally.

[Reel Updates @worldofreel]

PAUL THOMAS ANDERSON's latest has elements of sci-fi -- inspired by REPO MAN and VINELAND

https://t.co/Dto7zAkBzk

[All The Right Movies @ATRightMovies]

The COEN BROTHERS talk about the importance of storyboards.

[Alex @NiggaferLopez]

I love this tweet. I love the Viper Cam

[patrick. @imPatrickT]

the original cowboys of big budget digital cinema.

David Fincher & Harris Savides striving for a crisp, rich, and relatively clean image, with a workflow that allowed them near unlimited takes to achieve ZODIAC.
Michael Mann with Dion Beebe, and Paul Cameron (who left 3 weeks into filming) embraced the chaos of low light sensitivity far beyond what the sensors were even capable of back then - which lead to a look nobody had ever really seen before with COLLATERAL.
Mann used the Thomson Viper FilmStream which had a 2/3" 2MP sensor for a 10 bit 1080p image. It was the first film to shoot primarily on the Viper (in conjunction with the SONY F900 and a scene on 35mm film)

Fincher also used the FilmStream entirely for Zodiac - except for a high speed sequence that was over-cranked 35mm. Digital cinema cameras back then were HUGE complicated monsters with convoluted image pipelines, clunky workflows, and generally speaking fairly basic image quality by today's standards... but Mann & Fincher both along with their amazing crews were able to squeeze some really beautiful pixels out of the tech.
They both made films that hold up today and in many respects they look a hell of a lot better than a lot of modern digitally shot films and TV.

[ᘻᓰᖽᐸᘿ 𝔹 @_RareArt]

My favorite part of last night's Small Town Ecstasy Q&A was the director describing how, watching it it 20+ years later, an element that's super funny now (that was unremarkable back then) is the fashion, because literally "everyone dressed like that" at the time.