No Country Magazine

Website on culture and society

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From Mar Verde to Miami: Exile Came on a Monday for Cuban Dissident José Daniel Ferrer, by Carla Gloria Colomé
https://t.co/5iTNlS24yC
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From the Decisive Moment to Slow Breathing: An Interview with Cuban Photographer Manuel Almenares, by William Riera
https://t.co/jPgTX3I9XT

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Porno para Ricardo: The Cuban Punk Band that Castro Regime couldn’t silence, by Lía Villares
A conversation with Gorki Águila, the lead singer, and Ciro Díaz, first guitar of the Cuban dissident band.
https://t.co/NkMSD7jwv1

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Protests across Cuba: The Pots Will Keep Clanging

The protests spread across Havana like a new habit. Each night, when the power went out, the noise began.
https://t.co/DOpqjw1XFz

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The Art of César Aira, by Iván de la Nuez (@ivandelanuez)
César Aira is one of the most accomplished practitioners of the ready-made in its entire history. Although this virtue involves both following and betraying the legacy of Marcel Duchamp.
https://t.co/za7weTcpAT

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Cases of femicide in Cuba are steadily increasing, ignored by official authorities and with perpetrators going unpunished. This report by Darío Alejandro Alemán documents the phenomenon with testimonies and data.
https://t.co/CfmNffLZAR

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‘Créole Renaissance,’ by Aruán Ortiz: Image, Music, History. An article by Alan West-Durán
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https://t.co/6xNIXIDEn8

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Cuban writer Osdany Morales (Nueva Paz, 1981) is among the finalists of Poetry in Translation Prize with his collection 'The Past Is a Lonesome Town,' translated from Spanish by Harry Bauld.
Read more here: https://t.co/K2lskTg8Lq

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Intimate Architecture. Between Matter and Light. On the Work of Goga Trascierra, by @MagelaGarces

#mexicanartist #mexicanart #nocountrymagazine
https://t.co/NSWEMKlaxC

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"stones that fit in the mouth", by Sabrina Fanego
These words by Cuban artist Sabrina Fanego accompanied her very first solo exhibition ‘stones that fit in the mouth’, that took place last year at ONA Gallery, Havana.
https://t.co/raWOgHABw3

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Fanon and Cuba: The Disagreement, by Rafael Rojas
Fanon’s reservation about the Cuban Revolution stemmed from the duality he perceived in Fidel Castro.

https://t.co/sUwn7D9iWs

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Damaris Betancourt: “Totalitarianism Always Radiates Opacity Because It Creates a Sad Man”, an interview by Cuban writer Gerardo Fernández Fe
https://t.co/FXJ2MCbG9x

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Latest Episode of Censorship Against Celia Cruz (on Her Centenary) in Cuba
The National Center of Popular Music decided to cancel a tribute performance scheduled the October 17th, at the Fábrica de Arte Cubano (FAC).
https://t.co/88GNGdHYHd

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“I Am Not Free”: Cuban Political Prisoners Talk about Their Release from Jail, by Carla Gloria Colomé

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https://t.co/vzVqnTzk3G

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Inaugural issue of ‘ANLEARTE’: a Hispanic visual arts magazine in the US

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https://t.co/aC1sBht5WK

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Scholar and researcher Debra A. Castillo, a leading figure in Hispanic studies in the United States, has died at the age of 72.
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https://t.co/JET0QInbTy

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The Face as Something Expanded. Interview with Danay Nápoles, by @_EdgarAriel
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https://t.co/a2E6uhltVh

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Coming into the World in Motion: ‘DeBÍ TiRAR MáS FOToS’ by Bad Bunny, an article by Juan Carlos Quintero Herencia
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https://t.co/U0UH6bPxCP

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The Minimal Secret Strength of Sabrina Fanego, by Orlando Hernández
These first works by Sabrina Fanego enter the Indo-Cuban universe with absolute certainty through unprecedented paths.
https://t.co/xW5QNcLFxD

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The Rhetoric of Fascism at the Service of Authoritarian Imposition, by Hilda Landrove

In Latin America, fascism has been used by authoritarian regimes to tar the anti-authoritarian or anti-totalitarian struggles that take place within them.
https://t.co/kCo5ZUMHIa