No tienes que gustar a todo el mundo , ya que todo el mundo no tiene el mismo gusto .❤️🎼
Pero mantén siempre muchos ánimos y positividad y te sentirás muy feliz 🌟📸🥰❤️. https://t.co/mBj9d5cpVj
"Maybe," recorded in a makeshift studio in a Manhattan church, was a spare, pleading ballad that Arlene Smith† sang with weary force. The 1957 release was a № 15 hit that sold more than 1 million copies and was covered by the Shangri-Las, Reparata and the Delrons and the Three Degrees, among "others."
~ Associated Press 7/29/26
EnLightnin'ment &
Rhapsody In The Grooves
Publishers Central Bureau*
p.46 LOU CHRISTIE : EnLightnin'Ment. An operatic falsetto and charismatic stage presence were but two of Christie's trademarks, and his unique style enabled him to win millions of fans in a Beatles-dominated era.
This compilation is the first to span the singer's whole career, and features the hits - Lightnin' Strikes; Two Faces Have I; I'm Gonna Make You Mine - and rarities like Outside The Gates Of Heaven and the original, too-risque-for-radio Rhapsody In The Rain!
X49076. LP
Only $6.98
K1962X. Cassette
Only $6.98
D18207. Compact Disc
Only $14.98
* Publishers Central Bureau : major mail-order distributor specializing in books, audio, and visual media. Operated as a division of the Crown Publishing Group before being acquired by Random House
Gargantuan Encounter
July 29, 1972 - Billboard
14th annual Knokke-le-Zoute
Belgium singing competition
One sympathized with the US team of Lou Christie, David Blue, Richard Landis, Lori Lieberman and Annette Peacock because with the exception of Christie, they are still virtually unknown on the European mainland.
Aug 5, 1972 - DISC
One of the ladies who appeared at the recent Knokke
Contest in Belgium was American free-form jazz musician Annette Peacock. Why, one asks, was such a totally original artist there amongst all the schmaltzy showbiz paraphernalia that goes to make up Knokke and all other song contests like it?
Well, in her own words, she was there "Because I thought they would never have seen anything like me over there." That's typical Miss Peacock, a woman out to shock the music world with her very free interpretation of the word improvisation.
"I love change. I'm really a musical revolutionary. The need for change is compulsive - there must always be something new for me."