ORBMW

New account to contact with Director of the NFTart gallery Oliver Art, NFTArt creator.

[ORBMW @ORBMW]

"I'm" signed by "Oliver R"

I make art therefore I am.

https://t.co/s9gTv1YpWn
#nftart #nftcollector #artgallery #rarible
#SupportEachOthers #OliverArtNFTs

[OliverArtNFTgallery @OliverArtNFTs]

NEW "Double Car" signed by "Oliver R"
🆕🆕🆕🆕🆕🆕🆕🆕🆕
Cuba Collection

https://t.co/DgTlSP5a1M

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

“Double Car” – Fourth Work from Oliver R’s Cuba CollectionIn Oliver R’s Cuba collection, Double Car (2025) represents a poetic and symbolic turning point. This fourth piece, a mixed-media collage on large-format canvas, powerfully captures the Havana imagery the artist has been exploring since the beginning of the series. A Striking CompositionAt the center of the canvas, two halves of 1950s American classic cars, in a vibrant yet slightly faded blue, are placed side by side and tightly joined. The viewer has the impression of seeing a single vehicle cut vertically in two and then reassembled — like a broken mirror or an unfinished dream. These iconic bodies — typical of the almendrones still cruising the streets of Havana — are rendered in a style that blends illustration and realism, with patinated details that tell stories of decades under the sun, sea salt, and resourceful repairs.The background is a warm, saturated orange that evokes both the Cuban sunset and the electric heat of tropical cities. This intense backdrop makes the blues of the cars pop while creating a powerful, almost festive chromatic tension. Meaningful DetailsOn the license plates of both car halves, one can just make out two faded, frayed, almost ghostly Cuban flags. This subtle detail is one of the most moving elements of the work: it reminds us that these cars, though American in origin, have become profoundly Cuban — carriers of a national identity built on resilience, ingenuity, and complex history.Surrounding the entire composition is an explosion of multicolored tropical flowers forming a living garland that frames the painting. These flowers are not merely decorative: they spill over the edges and sometimes onto the cars themselves, symbolizing the exuberant nature that always reclaims its place in Cuba, even on the most industrial objects. InterpretationDouble Car speaks of duality: two halves that no longer quite make a whole, two cultures that meet and merge, two eras coexisting. The work questions the notion of fragmented and reinvented identity so characteristic of the island. The near-perfect symmetry of the composition reinforces this feeling of precarious balance, while the flowers bring a note of hope and vitality.With Double Car, Oliver R succeeds in transforming an everyday Havana object into a powerful visual metaphor. The work is both joyful and melancholic, colorful and profound — exactly like the Cuba he celebrates throughout the entire collection.

[OliverArtNFTgallery @OliverArtNFTs]

"DadAI" signed by "Oliver R"

https://t.co/CWNMQjJUHj

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"Voyage to Tanzania" signed by "Oliver R"

🧵The animal series by Oliver R

https://t.co/5QY2ROTfIs

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"Rose Garden" signed by "Oliver R"

https://t.co/u3G7Ntwgkg

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"Edmund the solitary" signed by "Oliver R"

https://t.co/bQLiqyVjsY

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"The sand leopard" signed by "Oliver R"

https://t.co/FpWH5eV2iw

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

@LaChimera1 Thanks for your comments, I am happy to see that the message(s) I seek to send through my works are getting through and touching the viewer.

[LaChimera @LaChimera1]

@OliverArtNFTs Great work Oliver! ❤️‍🔥It really makes you think about how war has become a media spectacle

[OliverArtNFTgallery @OliverArtNFTs]

"War TV" signed by "Oliver R"

https://t.co/RHArIIk17D

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

Oliver R. – War Tv, War as a Theater of Vision In his latest work, War Tv, Oliver R. presents a striking canvas in which the violence of reality, the memory of conflict, and its media staging collide. From the very first glance, the painting generates an almost physical tension: an intense, vibrant, saturated red background floods the pictorial space like a shockwave. This red is not merely a color; it becomes dramatic substance, a symbol of danger, blood, constant alert, and the emotional overexposure that defines the nonstop broadcasting of war imagery. Against this almost theatrical setting emerge two male figures, suspended between several possible identities: soldiers, war reporters, witnesses, or actors in a conflict transformed into visual narrative. Oliver R. skillfully cultivates this ambiguity, allowing the viewer to move between multiple interpretations. The first figure, whose face is uncovered, immediately commands attention. Of Asian appearance, his face is only partially visible, half-concealed behind an old television set, on which one hand rests with a strange solemnity. This simple gesture creates an almost physical connection between the man and the object, as though the machine were an extension of his memory or his gaze. His expression carries tremendous intensity, marked by a fixed, frontal, piercing stare that seems to cut through the canvas and directly confront the viewer. The television screen introduces a second scene within the scene. On it, we glimpse a news studio: two journalists, a man and a woman, are interviewing a woman seated on a stool. This realistic image, itself submerged beneath a red filter, creates a powerful mise en abyme. War is no longer only experienced; it is commented upon, staged, analyzed. It becomes a televised stream, a debate, a spectacle of current events. Beside him, the second figure embodies a more enigmatic and unsettling presence. Wearing a soldier’s helmet, his face almost entirely erased beneath a balaclava, he peers through a device impossible to identify with certainty: a camera lens, a photographic apparatus, a military scope, or night-vision equipment. This technical ambiguity is essential. Oliver R. deliberately blurs the boundaries between the tools of documentation and those of control or attack. Seeing, filming, monitoring, targeting: these gestures appear to merge into one. The fact that this character leans against an old blue-gray television set, stripped of its screen, powerfully reinforces the painting’s meaning. While the first television still displays images, this one has become blind, emptied of its original function. What remains is the shell, the memory of a medium, an object bearing witness to time and vanished narratives. The chromatic treatment of the figures is particularly remarkable. Their clothing, hands, and faces unfold in blue-gray tones, subtly modeled with black accents that carve out contrasts and emphasize volume. This palette creates a powerful opposition to the dominant red background. The blue-gray suggests metallic coldness, ash, uniform, technology, but also a form of emotional distance. Finally, red, black, and blue splatters scattered across the canvas introduce a more gestural, almost organic dimension. They disrupt the realism of the figures like fragments of memory, impact marks, visual interference, or projections of violence thrown across the surface of the world. With War Tv, Oliver R. delivers a profoundly contemporary work that questions how conflict reaches us: filtered through screens, captured by devices, reconstructed by the media, and ultimately absorbed by our gaze as spectators. Between war painting, media critique, and a reflection on the technology of vision, the canvas reveals a deeply modern truth: war no longer exists only on the battlefield—it also unfolds within the image itself.

[Transient Labs @TransientLabs]

gm 🕵️‍♂️

Friday Art Share ↓

[OliverArtNFTgallery @OliverArtNFTs]

@TransientLabs "Les baigneuses" signed by "Oliver R"

https://t.co/BOfhROpSmx

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"Cuba Woman Guitarist" signed by "Oliver R"

https://t.co/nGl9hgauxj

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"Cuban singer" signed by "Oliver R"

Cuba Collection🇨🇺

https://t.co/jhSsDUKHsq

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"Anh Thu" signed by "Oliver R"

https://t.co/jhoD8hpDbI

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"The Greek Eye" signed by "Oliver R"

https://t.co/cWOJbZREqt

#nftart #nftcollector #tezos #objkt #OliverR

[OliverArtNFTgallery @OliverArtNFTs]

"Dolls, the trip to the circus" signed by "Oliver R"

https://t.co/BaUzYM3Osu

#nftart #nftcollector #tezos #objkt #OliverR

[AetherArtifact2024 @techTECH1685262]

Create and share!🎨✨
Bring your art here! 👇👇👇👇👇
#NFT #NFTart #DigitalArt #NFTCommunity

[OliverArtNFTgallery @OliverArtNFTs]

@techTECH1685262 "Rose Garden" signed by "Oliver R"

https://t.co/u3G7Ntwgkg