Hasta cierto punto de acuerdo en que el odio hacia Argentina obedece a intereses superiores pero es cagado ver como gente que nunca ve fútbol hoy piensa que se debe solamente a una agenda intervencionista como si esos no fueran lo más desagradable que hay de este lado de internet
¡Yo y mis antojos de siempre! Anoche fui a La Nopalera en la alcaldía #Tláhuac, ¡todo muy rico y súper limpio! Les recomiendo que vayan; es como estar en la feria del barrio, ¡está bien padre! #SandraCuevasMX
🇧🇦 En el comienzo de la final de la Copa de Bosnia y Herzegovina las hinchadas del Zrinjski y del FK Borac silvaron el himno nacional. Los primeros por ser nacionalistas croatas y los otros por ser nacionalistas serbios.
Los yanquis buscan la apropiación absoluta de lo griego antiguo y lo romano como herramienta de propaganda: buscando legitimarse como los herederos de Roma y Grecia. Obviamente, para ellos no han diferencia entre una y otra.
The Odyssey begins by showing an African rapper with rasta in the role of a Greek poet. We Greeks are forced to watch our Greek history and culture being disgraced and mocked across the entire world. What is Nolan's real role in doing something like this instead of casting a Greek person speaking Greek? What's the purpose of casting someone with rasta in the Greek world?
I'll tell you. Nolan and Hollywood are the real racists and enemies of the West. They hate us Greeks. The simplest confirmation comes from the fact that when a film is about African history, they don't cast white people, only Africans. When it's about Chinese or Japanese history, they cast only Asians, and they even speak only in their own language. But now that the time has come for a film based on Greek history with Greeks, not a single Greek is cast, they don't speak even a bit of Greek, and they don't even respect Homer. So, for films about European cultures, Africans, Asians, and anything else must be cast, but when it comes to African culture, whites are not allowed to play those roles.
This is the real racism of Hollywood.
Hollywood is a cancer that rots your souls and enslaves your minds and spirits. They hate you and they want to destroy you. Never forget the real enemies of the West and of your race. Those who are in universities, the academics, teaching your children how to hate their ancestors instead of honoring them. Don't do them the favor. Love the Greco-Roman world and fight those who hate you.
Never forget the traitors who took everything as a joke and contributed to the plan to destroy Western civilization.
En EEUU, unos turistas molestaron a un bisonte en época de celo en el parque natural de Yellowstone, desobedeciendo las órdenes de los guardas de no acercarse mucho al animal y no bajar del coche.
El búfalo pilló al turista y lo hizo volar, dejen a los animales en paz y libres.
Los del OpusDei, lefrebvristas y demás católicos ultra conservadores viendo como le echan toda la culpa de los ascensos fascistas en Latinoamérica a los evangélicos.
Esto es espectacular. En el último partido de Noruega, se hizo viral un pelado que estaba entre la multitud y se negó a hacer el "Remo" con sus compatriotas.
El canal de TV Sky News lo encontró y le preguntó por qué no lo hacía:
"Es muy sencillo. Los vikingos no remaban en el Atlántico, sino que navegaban. Es una celebración históricamente imprecisa. Estoy muy contento que mi mensaje haya tenido eco para corregir ese error. Seguiré apoyando a Noruega pero nunca voy a remar, ni siquiera si somos Campeones".
Lo mejor es que el pelado tiene sus remos colgados atrás, en su habitación. El experto en remos. El alma la fiesta. Un crack.
The discourse connecting Brazilian soccer to Protestantism points to a deeper cultural claim: that Brazil’s football decline is not merely tactical, generational, or administrative, but spiritual and civilizational.
The argument is that the old Brazilian style — playful, communal, improvised, joyful, almost liturgical in its beauty — emerged from a Catholic cultural world where celebration, embodiment, festivity, and collective identity were natural. Football was art, dance, procession, neighborhood, and gift.
The critique of Evangelical or Neopentecostal influence is not simply “religion made them worse.” It is that a different religious imagination produces a different kind of athlete: more individualistic, more testimonial, more focused on personal salvation, discipline, destiny, and moral performance. In that framework, football can become less carnaval and more career; less shared national myth and more platform for the individual believer.
Brazil’s decline obviously has many causes: tactics, European club football, federation dysfunction, money, coaching, player development, and global competition. But the religious argument touches something statistics miss: the loss of a national soul, or at least the feeling that Brazil no longer plays with the same sacred joy.