nitong nakaraang linggo, naging malaking usapin ang piracy o “pamimirata”. sa totoo lang, hindi naman na ‘to bago. paminsan-minsan, every once in a while, nagiging relevant ang usaping ito sa hindi ko mawaring dahilan. maaaring ito ang diskursong kinakailangan ng industriya—
THE HANDMAIDEN (2016) basically makes you watch three different versions of the same story. Just when you think you understand what’s happening, Park Chan-wook flips the perspective and makes you rethink everything you’ve already seen. Twice.