OperaChaser — Paul Selar
Home of the OperaChaser Critics Awards (The OCCAs) • Reviewer for @arts_review
Contributor to @LimelightArtsAu | @operamagazine
Back @cityofmelbourne’s Athenaeum 2 to revisit @MelbourneOpera’s Così fan tutte. A year on, it’ll be interesting to see how a fresh ensemble of emerging artists brings Mozart’s comedy, its emotional complexities and gender politics to life.
With the reopening of @artscentremelb’s State Theatre (as the Ian Potter), something this eventful calls for something big. I reckon @OperaAustralia’s Wagner Gala Concert fits the bill nicely.
Hartley was my pick for number one! Runners-up Kate Pengelly and Chloe James made it a clean sweep for my top three picks, so If I was a betting man I could’ve shouted drinks all round.
Hartley’s composure and ability to command attention were immediate, his vocal delivery suave and shapely, and his singing marked by sincerity across two contrasting, well-chosen arias.
Coming up: six emerging opera singers competing for the 2026 @theheraldsun Aria prize, in partnership with @MelbourneOpera, at @MelbRecital — Harley Trusler, Leon Vitogiannis, Livia Brash, Joshua Erdelyi-Gotz, Kate Pengelly and Chloe James. Looking forward to hearing your best!
A complex dynamic and moments of genuine depth — perhaps not as much as the themes it explores demand — exist in @VictorianOpera’s premiere of Jane Hammond & Therèsa Borg’s adaptation of Helen Garner’s 2008 novel, The Spare Room. My thoughts @arts_review: https://t.co/6NXOabAYUL
It has been so long since I’ve been to @artscentremelb’s fine Playhouse Theatre. It’s the premiere of @VictorianOpera’s The Spare Room. I haven’t read Helen Garner’s novel, which the work is based on, but this is opera — and I’m putting my trust in its power to move.
Pairing unrelenting eeriness with an Early-Victorian era modest aesthetic, @VictorianOpera’s The Turn of the Screw aligns truthfully with Britten’s original vision — and its musical and vocal qualities are an operatic triumph. My thoughts @arts_review:
https://t.co/1odlkGN7ej
Pairing unrelenting eeriness with the modest aesthetic of the Early-Victorian era, @VictorianOpera’s production of The Turn of the Screw aligns truthfully and powerfully with Britten’s original vision. On top of that, its musical and vocal qualities are an operatic triumph.
An evening of haunting opera with question upon question to speculate on — opening night of @VictorianOpera’s The Turn of the Screw coming up at the magnificent @PalaisTheatre.
Something fun for Sunday arvo — Offenbach’s Orpheus in the Underworld reimagined by @acoco_go in the great outdoors at @YarraCouncil’s Fairfield Park with the Yarra River in the background. This could be a performance that’ll have everyone holding onto their hats!
Offenbach’s little operetta is enhanced further by the comic English translation, with little touches like “Cutie is my Jupi,” while the ensemble of 9 never put a foot wrong — nor a note, for that matter — in what is a brilliantly sung, danced and acted, panto-like entertainment.
A delightfully melodic treasure in a riverside bush setting — and a helluva hoot, both in the heavens and in hell — this arvo’s @acoco_go Orpheus in the Amphitheatre @YarraCouncil’s Fairfield Park gleamed from start to finish.
@acoco_go@Qantas Thanks so much for the message! Was today’s performance cancelled? I will try to make it tomorrow but will not be able to confirm until the morning.