@Klara_Vingler99 Both hands holding Kakania's one, she steps closer to her doctor, and those eyes, though they might peer through Kakania rather than at her, those words she sang... it would be foolish to say that she was just singing to the air.
"Fior di giglio... e di rosa...๐ถ"
Oh, Doktor... das war meine Schuld...
Dein Traum hat mein leeres Leben mehr Bedeutung gefรผllt.
... Du hast mich... davor bewahrt nur ein verfluchtes Gefรคร zu sein.
@Klara_Vingler99 "Tu? Tu? Tu? Tu?... ๐ถ
Piccolo iddio... Amore, amore mio..."
Though the song did not wane, her voice didn't carry the volume or octaves that might come from an operatic performance. If not for the wavering sing-song flow of her voice, she might be considered to be whispering.
--
@Klara_Vingler99 All the world's a stage, and this here a mere player, a vessel with but an entrance and exit, who in her time plays many parts. She meets Kakania's eyes; Isolde's are happy and alive. And yet, they go on for miles...
"Proprio nel punto, che ognun diceva:
piangi e dispera! ๐ถ"
@Klara_Vingler99 made was without mistake or error, like it were all practiced before many times, preparation for a performance on the stage, but tonight, there is only one member in the audience.
"Vedi lo scimunito tuo dubbio?
ร giunto! รจ giunto... ๐ถ"
--
@Klara_Vingler99 deep breath, and her nerves quell. She sings, soft, with a songbirdโs soprano.
โNon son piรน quellaโ
Troppi sospiri la bocca mandรฒ,
E l'occhio riguardรฒ,
nel lontan troppo fisoโฆโ
@Klara_Vingler99 Isolde holds onto Kakaniaโs hand with both of her own, head bowed and gaze sunk to the floor, like she expected answers to come from her feet. Isoldeโs chest sputters as a ragged, shaky breath comes next, as though at the cusp of tears - she doesnโt cry, though. She takes a
โ