'Tannhäuser itself will always reward audiences in such a thoughtful and often inspired performance'
✍️ Peter Quantrill
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Read the full review on the Opera Now website! https://t.co/ZZPlki7Wpg
'The piece took the audience on an increasingly dark journey that set individual mystery against collective conformity'
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✍️George Hall
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Ahead of the RBO revival of Philip Venables’ 4.48 Psychosis, Eleanor Knight reflects on Sarah Kane's original play and whether attitudes towards mental health have changed in the generations since her suicide
🔎Discover the full feature on our website
https://t.co/R3QHPQ17qA
On memorable form, the company’s chorus sang as a unit but acted as individuals, while Tchaikovsky’s expertly chosen instrumental colours were vividly presented by the orchestra
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✍️ George Hall
Read the full review on the Opera Now website!
https://t.co/pJSGDYe39P
'All three singers work hard to make something individual out of roles that are dramatically cliched'
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✍️ George Hall
Full review on Opera Now website!
'Martinaitytė describes her work in general as ‘a progression of states’, something Panzer captures with clear-sighted vision'
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✍️Andrew Mellor
Full review on the Opera Now website!
As @ETOpera brings Gluck’s Orpheus to life in a new production, composer Leo Grant explores the process of adding instrumental and electronic re-arrangements and re-compositions of Gluck’s original material
https://t.co/LMuBLG7rxh
⭐🎶While interest in the song recital is declining, the Oxford International Song Festival continues to attract audiences. Founder Sholto Kynoch shares what they're doing in Oxford to keep the genre alive
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The Grange Festival has announced changes to its leadership team, including the appointment of Brindley Sherratt as Artistic director, the addition of four new trustees to the board of directors, and the departure of Chief Executive Officer Tyler Stoops.
As director Evgeny Titov prepares to stage Wagner’s Parsifal at the Royal Opera, he speaks about politics, perspective and criticism when it comes to the artform
https://t.co/rEoH2uATua
‘Musically, this revival had other significant strengths too, not least the taut conducting of Michael Papadopoulos, alert to every nuance of Verdi’s edgy drama.’
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✍️Mark Pullinger
Read the full review on the Opera Now website!
https://t.co/uiIeTspP9O