RIP Sam Neill (1947-2026)
Sam Neill on why "The Piano" (1993) is an important movie in Cinema history:
"I don’t think I can overestimate how important 'The Piano' (1993) is for me in hindsight. It sits on my funny old CV like a medal on my chest. It wasn’t my film. It was Jane Campion's. I wasn’t the star of the film. That was Holly Hunter. But there is honour to be found in the second fiddle. Or fourth. No one notices you much, you don’t get nominated for things. But you served. I was there in an important feminist film. I was there on the front line in an important New Zealand film. Neither of these labels does the film justice. It’s a work of art. And look, that tiny little figure in the fabric— see down there on the right—that’s me. It’s a film that will always have a place in cinema history. And I served in it."
("Did I Ever Tell You This: A Memoir", Sam Neill, 2023)
Crazy that this is getting barely any coverage. This year’s European Press Prize was just awarded to an investigative report by the Dutch newspaper De Volkskrant. It is entitled “What the Wounds Tell” and in it the journalists Maud Effting and Willem Feenstra document the cases of 114 children in Gaza under the age of 15 who were struck by a single bullet to the head or chest. Almost all of them died or were left severely disabled. They chose to document only the cases of boys and girls under the age of 15 (though often much younger: aged 3, 4 or 7) because these are children who can be immediately identified as such. “A single bullet in these parts of the body is a clear indication that these children were deliberately targeted“, the two journalists write.
This is the article: https://t.co/YkZrpqBWBQ
@violalaviola Sant’Andrea fino ad Acilia guida sensoriale. Dopo tutti a dirmi: me lo potevi dire, ti avrei accompagnato. Dopo però. Certo, io non ho chiesto, ma neanche uno che si fosse offerto spontaneamente, e che diamine!
@violalaviola Anni fa ho fatto una visita oculistica approfondita all’ospedale Sant’Andrea. L’effetto delle gocce dilatanti non terminava mai. Sono andata a riprendere l’auto al parcheggio, ho dato i soldi ad un signore perché non vedevo i tasti della macchinetta. Viaggio sul GRA allucinante