ORRA

Les innovations d'Intelligence Artificielle se succèdent à une vitesse folle. Mais rassurez-vous. Vous n'êtes pas en retard. Vous êtes au bon endroit.

[ORRA @OrraAcademy]

🚨 Breaking News - OPENAI vient d’ÉTEINDRE la CONCURRENCE avec un NOUVEAU MODÈLE !!

OpenAI vient d'annoncer GPT-4o, qui est 2x plus rapide que GPT-4 Turbo et il est GRATUIT !

Ses performances de traitement de la voix, des images, des vidéos et du texte ont été BOOSTÉES ! 🚀

[Framer 🇱🇹 @Framer_X]

SEEDANCE 2.0/2.5 PROMPT to convert your videos aspect ratio from 16:9 to 9:16 (or vice versa):

"Convert the original 16:9 horizontal video @(TAG THE VIDEO) into a native 9:16 vertical video.

Do NOT simply crop the original video. Intelligently reframe and extend/reconstruct the scene so the vertical composition feels like it was originally created in 9:16.

Preserve all important visual information, characters, actions, objects, background details, and story beats from the original horizontal video. Reposition elements naturally within the vertical frame when necessary so nothing important is cut off.

Keep the exact same characters, animation, actions, timing, camera movement, environment, lighting, colors, saturation, and visual style as the original video.

Maintain correct anatomy, object geometry, perspective, spatial relationships, and continuity. Newly generated areas outside the original frame must seamlessly match the existing environment.

Final result: 9:16 vertical, full-frame, naturally composed, no black bars, no stretched image, no important details cropped, and visually consistent with the original 16:9 video."

[Framer 🇱🇹 @Framer_X]

This is the best Seedance hack ever.

You can convert any 16:9 video to 9:16 with just one prompt.

Meaning you can repurpose all your horizontal videos as vertical IG Reels, YouTube Shorts, or TikToks 🤯

Prompt below 👇

[Duet | AI @Sheldon056]

If this is AI slop, keep serving it.

Seedance 2.5 on Higgsfield.

Prompt: Create a 30-second, 1080p ultra-realistic documentary-style personal home video showing an ordinary summer day in the life of a young Korean man. The footage should feel spontaneous, intimate, imperfect, and genuinely observed rather than performed.
MAIN SUBJECT
The same young Korean man in his early 20s throughout the entire video.
Naturally handsome, realistic skin texture, minimal styling, relaxed expression, slightly tired but peaceful eyes.
He has naturally messy medium-length dark hair with a few strands falling over his forehead and very subtle stubble.
He wears a loose washed-black T-shirt, relaxed olive-beige trousers, worn white sneakers, and a simple silver wristwatch.
Keep his face, identity, body proportions, hairstyle, clothing, watch, and overall appearance completely consistent from beginning to end.
LOCATION
A quiet older residential neighborhood in Seoul during a warm summer afternoon.
Narrow concrete alleys, low-rise homes, rooftop terraces, external staircases, potted plants, laundry lines, parked bicycles, utility poles, overhead wires, mature trees, concrete walls, small residential courtyards, and distant city sounds.
The neighborhood should feel authentic and lived-in.
No crowds, tourist attractions, advertisements, recognizable brands, or commercial activity.
CAMERA / VISUAL STYLE
Authentic casual personal-video footage captured with an older consumer digital camera.
Handheld camera operated by a friend walking nearby.
Natural camera shake, imperfect framing, occasional autofocus changes, slight exposure adjustments when moving between sunlight and shade, soft image detail, mild motion blur, subtle digital noise, slightly muted colors, imperfect white balance, and natural compression.
The camera operator occasionally reacts a little late, cuts off part of the subject, or briefly loses focus.
No stabilization, gimbal movement, drone shots, cinematic camera choreography, dramatic lighting, slow motion, modern commercial color grading, or polished cinematography.
The footage should feel like someone simply decided to record his friend during an ordinary day.
---
00:00–00:05 — MORNING ROOFTOP
He sits casually on a small rooftop beside an old plastic chair.
A cold bottled drink rests beside him.
He looks quietly across the neighborhood while the wind moves his hair and T-shirt.
He takes a sip, notices something happening in the distance, and smiles faintly.
He briefly notices the camera and gives a subtle nod before looking away.
The camera takes a moment to find focus on his face.
---
00:05–00:10 — WALKING THROUGH THE ALLEY
He gets up and walks downstairs into the neighborhood.
He walks casually through a narrow concrete alley with his hands in his pockets.
He passes parked bicycles, potted plants, laundry hanging from balconies, and old residential walls.
The camera follows several steps behind him.
He occasionally looks back toward the camera but never deliberately poses.
His footsteps remain naturally synchronized with his movement.
---
00:10–00:14 — SMALL EVERYDAY MOMENT
He notices an old basketball resting near a wall.
He picks it up, casually bounces it twice, then takes a simple shot toward a nearby hoop.
The shot misses.
He laughs quietly, shakes his head, and leaves the ball where he found it.
The camera briefly loses focus during the movement and recovers naturally.
No exaggerated athletic movement.
---
00:14–00:19 — LOCAL SHOP
He walks to a tiny neighborhood shop and buys a cold drink.
He exchanges a few natural words with the shopkeeper but the conversation is not clearly audible.
He steps outside, opens the bottle, takes a drink, and leans casually against the wall.
He watches bicycles and pedestrians passing in the distance.
The camera remains handheld and slightly imperfect.
---
00:19–00:23 — SUMMER RAIN
A sudden summer shower begins.
He looks toward the sky with mild surprise.
Instead of immediately running for shelter, he smiles and slowly walks into the rain.
The rain becomes heavier.
His hair becomes wet and falls naturally across his forehead.
He eventually starts running down the alley, laughing genuinely.
He briefly spins around while running, then continues toward a covered walkway.
His clothes become visibly damp.
Maintain realistic rain interaction, wet fabric, wet hair, reflections, and foot contact with the ground.
---
00:23–00:27 — QUIET MOMENT
He reaches the covered walkway and catches his breath.
Rain falls heavily behind him.
He wipes water from his forehead and looks quietly toward the street.
For a moment, everything becomes still.
He notices the camera again.
He gives a small genuine smile, not a posed expression.
---
00:27–00:30 — WALKING AWAY
The rain becomes lighter.
He walks away down the wet residential lane.
The camera follows from behind.
Reflections shimmer across the concrete.
He turns his head once, gives a tiny wave toward the camera, smiles, and continues walking.
The camera remains pointed toward the empty street for a brief moment.
At approximately 00:29, the recording abruptly cuts to black mid-motion.
No fade-out.
---
PHYSICAL REALISM
Maintain believable real-world physics throughout.
Hands, fingers, feet, clothing, hair, rain, bottle, basketball, and background objects must behave naturally.
No extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, teleportation, disappearing objects, or sudden transformations.
The bottle remains a separate physical object and never intersects with his face.
The basketball behaves naturally and remains where it lands.
Parked bicycles and background objects remain stationary unless physically moved.
His feet remain properly connected to the ground while walking and running.
Keep the environment and subject consistent between shots.
---
AUDIO
Natural environmental audio only.
Footsteps on concrete, distant traffic, birds, leaves moving in the wind, bicycles, faint neighborhood conversations, shop sounds, bottle opening, basketball bouncing, rain hitting concrete, water dripping from rooftops, and subtle camera-handling noise.
No music.
No narration.
No soundtrack.
No artificial sound effects.
No spoken dialogue is necessary.
---
FINAL FEEL
The result should feel like a forgotten personal recording of an ordinary summer day.
Not a commercial.
Not a fashion film.
Not a music video.
Not a professional cinematic production.
The emotional appeal should come from small human moments: sitting alone, wandering through familiar streets, missing a basketball shot, drinking something cold, getting caught in the rain, laughing, and walking home.
Quiet, masculine, youthful, nostalgic, slightly melancholic, warm, spontaneous, and deeply human.
Prioritize natural behavior, consistent identity, believable physics, imperfect handheld framing, authentic environmental details, and the feeling that the camera happened to be there.

[LVMH_Presse @LVMH_Presse]

Merci : la réaction de Bernard Arnault à « l’enquête » du Monde

[zero @twoclipping]

the reason your ai ugc scripts sound like ai is one step everyone skips

before writing anything you define what the character would never say. not the vibe, the hard limits. thats the thing that stops it drifting into generic marketing copy by script 4

dan broke down the full system and its the most useful ai ugc read ive seen in a while

[z @zaynmcps]

https://t.co/V1uZXuA2Cf

[z @zaynmcps]

CLAUDE AHORA PUEDE HABLAR CON TU PROPIA VOZ. EN TODOS LOS IDIOMAS. GRATIS

→ un dev subió a Github un repo llamado jamiepine/voicebox

→ te clona el tono exacto con un par de segundos de audio

→ corre directo en tu pc así que tus datos son cien por ciento privados

→ Claude Code, Cursor o cualquier agente compatible con MCP puede responderte con esa voz clonada

→ arma contenido en japonés, árabe o polaco sin mover la boca

guárdalo para cuando lo necesites y repo abajo 👇🏻

[Higgsfield AI 🧩 @higgsfield]

Introducing Higgsfield Supercomputer

The first ever cloud-native, self-learning AI agent for end-to-end task execution.

40+ built-in tools. Three layers of memory. Access via browser or Telegram.

Powered by enhanced Hermes Agent.

[Higgsfield AI 🧩 @higgsfield]

Higgsfield releases Virality Predictor

What does it mean:
> Upload any clip up to 15s
> Get viral potential, hook score & hold rate
> See a heatmap of brain regions your clip activates
> Pair with Ad Reference for recreated videos

Available via MCP/CLI and on the platform.

[Higgsfield AI 🧩 @higgsfield_ai]

How to run paid ads with an agent in 2026.

> Claude Cowork researches competitor ads in Ad Library.
> Higgsfield MCP generates creatives.
> Upload visuals to Ads Manager.
> Meta MCP launches ads and reads performance.
> Winners scale via Higgsfield MCP.
> Runs every Monday.

[Thiziri - Creative Crafters ⚒️ @Thiziri_BHT]

ils veulent pas s’arrêter on entre dans une nouvelle ère

[Jouhatsu | AI Influence Operator @Jouhatsu_ai]

Un enfant de 13 ans de Shenzhen a passé toutes ses vacances d’hiver enfermé dans sa chambre pendant que ses camarades jouaient dehors. Il est resté assis devant un MacBook Air pendant 21 jours d’affilée à regarder des tutoriels sur Claude et à essayer de reproduire ce qu’il voyait à l’écran.

À la fin des vacances, il avait créé son propre agent IA capable de résoudre des problèmes Codeforces en 45 secondes chacun. Il a tout publié dans un dépôt GitHub public le dernier jour des vacances. README en anglais approximatif. Description : “ai agent solves codeforces fast for me”. Il a regardé le repo rester à zéro étoile. Puis il est retourné à l’école le lendemain matin.

Pendant que l’Occident débat pour savoir si l’IA va remplacer les développeurs, en Chine, des enfants de 13 ans publient déjà des agents fonctionnels sur GitHub entre deux périodes scolaires. Lui pensait simplement créer un outil pour ses devoirs. Il en a montré beaucoup trop.

Six mois plus tard, son professeur d’informatique a ouvert son profil GitHub pour vérifier un devoir. Le dépôt que l’enfant avait publié à la fin des vacances d’hiver comptait 3 100 forks. Le professeur a cliqué sur l’un d’eux et a trouvé un portefeuille affichant 4 526 176 $.

432614799197. 4 526 176 $ de profit. Inscrit en janvier 2026.

→ https://t.co/HECFVABlQ8

Un développeur de 27 ans à Singapour avait cloné le dépôt de l’enfant, remplacé le plugin Codeforces par un plugin de paris sportifs, connecté Claude aux cotes de bookmakers asiatiques… puis il est parti. Six mois de logs positifs plus tard, il a publié la courbe de profit sur un petit forum de développeurs avec une seule phrase : “Je n’ai pas écrit une seule ligne de ce code. Le dépôt original était un projet de devoir d’un enfant.”

Twitter Dev a explosé. 180 000 vues en 24 heures. Tout le monde demandait le lien GitHub. Tout le monde voulait savoir qui était à l’origine du projet.

Le développeur de Singapour l’a révélé. C’était l’erreur.

Arrêtez la vidéo de démo à 0:08. Regardez le nom du contributeur en haut à droite de la page GitHub.

Ce contributeur a 13 ans.

La section commentaires s’est transformée en enquête collective. Quelqu’un a ralenti la vidéo à 0,25x. Un autre a ouvert le dépôt original et analysé l’historique des contributeurs. Un troisième a retracé ses autres commits et trouvé une participation à un concours scolaire de programmation du Shenzhen Number 4 Middle School avec le même pseudo.

L’enfant avait fini troisième. Les juges avaient écrit que son projet était créatif… mais sans application réelle.

Le développeur de Singapour utilise toujours le script. 4 548 trades depuis janvier. Tous sportifs. Sur six ligues : NFL, Premier League, Ligue des Champions, Liga, Ligue 1, NHL.

Plus gros gain unique sur le portefeuille : 1,5 million de dollars. Sur un seul match de football.

Le dépôt n’est pas le produit. Le dépôt est le bruit.

Le vrai moteur, c’est ce que l’enfant a construit et que les juges n’ont pas vu. Les bookmakers asiatiques publient leurs cotes 2 à 3 heures avant que les plateformes occidentales ne les mettent à jour. Shanghai bouge avant Londres. Pékin bouge avant New York. Quand les traders américains ouvrent leur ordinateur, l’écart est déjà refermé. L’agent Claude capture toutes ces opportunités pendant que l’Occident dort encore.

L’enfant a écrit le script pendant les vacances d’hiver. Le développeur de Singapour l’a cloné gratuitement. Le marché lui a rapporté 4,5 millions de dollars.

Le développeur de Singapour a supprimé son post quand il a compris ce qu’il avait révélé. Trop tard. Le dépôt avait déjà été forké 3 100 fois. Quelqu’un dans l’école de l’enfant a reconnu son pseudo.

L’enfant, lui, n’a toujours pas gagné un seul dollar grâce à ce script. Les conditions d’utilisation de son compte GitHub lui interdisent de vendre quoi que ce soit. Il est trop jeune.

Le professeur, qui avait ouvert son profil pour corriger un devoir, a refermé son ordinateur et a appelé le directeur.

Avant que le post ne disparaisse, une réponse a été épinglée :

“Le créateur le plus intelligent dans cette histoire est celui qui n’a pas le droit d’utiliser ce qu’il a construit.”

[DeepSeek @deepseek_ai]

🚀 DeepSeek-V4 Preview is officially live & open-sourced! Welcome to the era of cost-effective 1M context length.

🔹 DeepSeek-V4-Pro: 1.6T total / 49B active params. Performance rivaling the world's top closed-source models.
🔹 DeepSeek-V4-Flash: 284B total / 13B active params. Your fast, efficient, and economical choice.

Try it now at https://t.co/GCdiMzk1Dl via Expert Mode / Instant Mode. API is updated & available today!

📄 Tech Report: https://t.co/drlDrxkYtp
🤗 Open Weights: https://t.co/T13Y8i7SDM

1/n

[Dipolygabana @Dipolygabana]

This is how you can make changes to the edits.

[Defend Intelligence (Anis Ayari) @DFintelligence]

Vous vous rendez compte qu’on voit la barrière à l’entrée de certainement LE truc le plus difficile à apprendre en informatique, la modélisation et l’animation 3D, tomber sous nos yeux ?

Époque de fou.

Je viens de commander une imprimante 3D parce que, pour la première fois, je me dis que je peux m’y mettre et découvrir (alors qu’avant, je n’ai jamais eu le temps d’apprendre à la main).

Maintenant, avec l’IA, tout va plus vite.
Tout devient accessible. On peut découvrir tellement de choses qui étaient inaccessible avant. Est ce que c’est bien ou mal ? Tel est la question.

[Vaibhav Sisinty @VaibhavSisinty]

Did xAI just mass-murder the entire voice AI industry? 🤯

Grok just launched two voice APIs. Speech-to-Text and Text-to-Speech.

Built on the same stack powering Tesla cars and Starlink support.

And priced at 10x cheaper than ElevenLabs.

Speech-to-Text: $0.10/hr batch. $0.20/hr streaming.

Text-to-Speech: $4.20 per million characters.

25+ languages. Real-time streaming. Speaker diarization.

Already outperforming ElevenLabs, Deepgram, and AssemblyAI on word error rate.

TTS ships with expressive tags like [laugh], [sigh], <whisper>, <emphasis>.

Voices that don't sound like robots reading a script.

ElevenLabs spent years building a voice AI company.

xAI built voice AI for cars and satellites.

[Shrikar Dayalu @shrikardayalu]

@claudeai

[Claude @claudeai]

We've redesigned Claude Code on desktop.

You can now run multiple Claude sessions side by side from one window, with a new sidebar to manage them all.

[Higgsfield AI 🧩 @higgsfield]

Introducing Higgsfield Marketing Studio powered by Seedance 2.0: a single workflow from product to finished ad.

Bring a product image or paste a product link, use an avatar from your photo or build one inside the tool, and generate your ad end-to-end in 9 ad styles - UGC, unboxing, reviews, and more.

New users get up to 70% off, with up to 14 days of Unlimited generations.*

Start here: https://t.co/c5GQSEKYRk