What makes me still attatched to protestantism in spite of all its issues is that no other form of christianity deals as clearly and elegantly with the obvious fact that we all deserve hell.
@mcmansionhell I believe it is an error to assume that the function of these classifications is to serve as a quick and easy ersatz of introspection/self-realisation. I think they do something altogether different pertaining to profile work.
There are two types of audiences for "Starwars: Rogue one".
1. Those who deem Krennic a Villain (uninitiated)
2. Those who understand that Krennic is tragic anti-hero (project managers)
Spielberg and Meyerbeer are also similiar in that their productions were large, full of spectacle, and expensive, but never really innovative beyond perhaps the technical solutions for the spectacle as such. Artistically conventional, which the success of both is likely owed to.
If Richard Wagner had lived in the 20th century he would have been one of the greatest filmmakers, not a composer. He also would have had the exact same feelings about Spielberg as he had about Meyerbeer, and would have written antisemtitic tracts about jews because of it.
One of the strangest stylisation tendencies I've noticed is how often cartoon and plushy versions of horses and unicorns ignore what is arguably the horse's most distinguishing feature, its long face and instead ad small, snout like mules to ball heads. I wonder why.