Join us at the No-Change Training School from December 2-4 in Gjøvik, Norway. Hosted by partners from @NTNUColourlab, this immersive program offers hands-on sessions in spectral and RTI imaging for #CulturalHeritage
Register here before November 3rd : https://t.co/D4yHOuE4no
💡CHNT-ICOMOS annual conference in Vienna with special session dedicated to a @Perceive_horizon roundtable.
💡Save the date!
When: 04-06 November 2024
Where: Vienna, Austria
program 👉 https://t.co/QYTgT7Ig2D
register 👉 https://t.co/sHIsot3ZQy
What if you could hear color changes in art? 🎶🎨
The ScreamScaper does just that!
Transforming Edvard Munch's iconic "The Scream" into an immersive sensory experience.
Read more about it 👉 https://t.co/9v7dDFFJrJ
@hslu@munchmuseet#perceive_europe#EUFunded#EUResearch
Ultramarine Blue in Edvard Munch’s Collection: A Multi-Analytical Study of Early 20th Century Commercial Oil Painting👉https://t.co/3bGjLUWVK2
🖌️ Dive into the fascinating world of art preservation with a recent study by @munchmuseet and @FondCaFoscari .
Introducing the Open Museum Sketch Book a narrative exploration of how design can shape and enhance our interaction with Cultural Heritage.
🔎 Do you want to know more? Read the full article here 👉https://t.co/B3KFcYlVvH
@HSLU#perceive_europe#CulturalHeritage#Phygital
#summer2024#perceiveproject#culturalheritage
Happy Summer Holidays from PERCEIVE's partners!
(This AI-generated video depicts a summer holiday, designed to capture the essence of vacation vibes and cultural heritage. However, it is not linked with art conservation)
🗞️ On June 27th, 2024, the @PERCEIVE_info project partners gathered in Brussels for the mid-term review meeting in front of the @EU_Commission 's reviewers. This was an opportunity to present our advancements and showcase our progress.
#perceivenews#perceivepartner
Exciting News from PERCEIVE's partner @V_and_A! They've just launched their specific PERCEIVE's webpage https://t.co/cdU9YMxryY
The first feature explores innovative ways of thinking about Autochromes! https://t.co/0FTN3A7y6d
Day 2 of our annual meeting 🇪🇺
Today we’re testing the prototypes developed by our technical partners 🖥️ and collecting feedback to keep transforming #digital education 🚀
🎉 What a successful annual meeting and what a dream team we have on this project!
From the most technical partners to the most theoretical, we form such a balanced consortium.
One year to go we’re entering the final year of the project more excited than ever!
#horizoneurope
Tele 1 hat unser SpinnLab besucht! Im neuen Labor testen Textildesign-Forschende recycelte Fasern auf ihre Industrietauglichkeit. Das Ziel: Aus Altkleidern sollen dereinst hochwertige neue Textilien entstehen. #hslu
https://t.co/xs9lCHYQqS
By integrating innovative and immersive technologies to the #elearning field, we will enhance employability of learners facilitating the practice, especially in #VocationalTraining.
We are so ready to change the game! 🚀
Das Skigebiet im Bergdorf San Bernardino ist nicht nur neu erwacht, sondern wird in den nächsten Jahren mit einer Millioneninvestition gefördert. Im Interview mit Schweiz aktuell analysiert HSLU-Professor für Tourismus Jürg Stettler die Situation. #hslu
https://t.co/FKcLyZhg9t
Die physische und psychische #Gesundheit von Mitarbeitenden wird für Unternehmen zu einem zunehmend zentralen Erfolgsfaktor. Wie Gesundheit und eine positive Firmenkultur gefördert werden können, vermittelt Christina Meyer in ihrem CAS. #hslu https://t.co/522I4hHda8
“Extreme neatness in design is not necessarily a good thing artistically.” - Rebecca Crompton
Remembered for her experimental embroidery technique and vibrant wool embroidered cloths, Rebecca Crompton’s works challenged traditional views on design.
Despite criticism for her experimental approach, she was fascinated by the possibilities of machine stitching, combining machine and hand embroidery using different types of textiles and threads.
🌼‘The Magic Garden’, embroidered with silks and appliqué, couching, French knots and honeycomb stitches, 1936
We are hosting a new episode of its ‘Dreaming of AI’ with MUNCH and AI: How the Munch Museum uses AI in Conservation, Collection Management, and Developing New Audience Experiences. Check it out on January 29th from 8 AM to 9 AM ET #musetech#museums#AI
https://t.co/Pf0px8JCvb.
“We didn't realise we were making memories, we just knew we were having fun.”
A thought-provoking, joy-sparking illustration as we head towards the end of 2023.
What was your favourite memory this year? ❤️
✏️-Winnie-the-Pooh and friends drawn by E. H. Shepard, 1926.