@futurofm Hace algunos meses me encontré estas joyas en una tienda de discos usados y me las llevé sin pensarlo. Grandes recuerdos noventeros! Linda banda L7.
El 14 de julio de 1997, Paradise Lost lanzaba One Second, su sexto álbum de estudio 🤘🖤
Un disco que marcó un importante giro hacia un sonido más gótico y melódico.
¿Qué te pareció este cambio?
#Efemeride#14Jul#ParadiseLost
Something New To Let You Know About
Dear Friends, Fans, Families, and people I’ve not met yet,
I’m announcing today somewhat sadly but nonetheless truthfully, that I’ve reached a place where publicly more and more I need to use a wheelchair, mostly in airports, or public events. I can still walk, let there be no doubt, but I can’t walk very far without needing to rest, meaning I need to sit down. We started using the wheelchair about 18 months ago, mostly in airports. I became 78 years old on May 5th 2026. I was a long distance walker, I’ve walked in many different parts of the world, and I’m still a drummer. I can still play pretty good for 78 years old.
My talents and ambitions, and my unyielding need to be artful, and to play drums, is still as strong as it was so many years ago now. I’m just saying if you see me in a wheelchair, I’m just catching a ride, I’m not in retirement or ill or giving up, or any of those thoughts that ignite when we see people in wheelchairs. I’m making myself public and transparent about my new transport, and letting you know I’m OK. If you see me in the airports or visiting friends in the music arenas or theatres say hi, I don’t bite, I’ll just look different, as pictured here. Much love to you all and I’ll keep rocking until I’m dead.
Rock forever and ever,
Bill Ward
And the secrets we hide, can be dangerous to our health, I’m letting transparency prevail, with love and progression.
Bill Ward
"No Sleep till Brooklyn" was the sixth single from Licensed to Ill(1986). Featuring a guitar solo by Slayer’s Kerry King, the track became one of the Beastie Boys’ signature songs and an early rap-rock landmark. Its title and lyrics reflect the exhaustion of life on the road and the group’s determination to make it back home to Brooklyn, while also nodding to Motörhead’s No Sleep ’til Hammersmith. The video, built as a tongue-in-cheek parody of 1980s glam-metal excess, helped turn the song into one of the band’s most memorable early hits.