The Artist's Death: The Last Friend (1901) by Zygmunt Andrychiewicz
📍National Museum in Warsaw
He gave his whole life to art, and at the end the only one who showed up was a man with a violin.
Moses Saved from the Waters (1633) by Orazio Gentileschi
📍Museo del Prado, Madrid
Artemisia Gentileschi's father painted this exact scene twice, and Britain paid £22 million to keep the other one.
Orazio was in his late sixties, working as court painter to Charles I in London
The Women of Amphissa (1887) by Sir Lawrence Alma-Tadema
📍Clark Art Institute, Williamstown, Massachusetts
In the middle of a war, a town woke up to find its enemy's wildest women passed out in the market square, and decided to protect them.
Self-Portrait with a Harp (1791) by Rose-Adélaïde Ducreux
📍The Metropolitan Museum of Art, New York
Her father became a meme. She painted a masterpiece, and almost nobody knows her name.
Death and the Miser (c. 1635) by Frans Francken the Younger
📍Wellcome Collection, London (likely; this image matches the Wellcome version, but many near-identical copies exist and the 1635 date is unconfirmed).
Theseus and the Minotaur (date unverified) by Paul Reid
📍Unknown (probably a private collection; I couldn't confirm)
Everyone knows who wins this fight, so why does the monster get the spotlight?
The Awakening (c. 1905, attribution unverified) by Serafino Macchiati
📍Unknown. Location and authorship unconfirmed
The internet credits this nightmare to a 1905 Italian painter, but the paper trail stops dead.
Serafino Macchiati was real, and nightmares were his specialty.
The Feast of the Bean King (c. 1640-1645) by Jacob Jordaens
📍Kunsthistorisches Museum, Vienna
Right above this drunken riot, Jordaens painted a sign that reads, roughly, "nothing is more like a madman than a drunk."
Compulsory Education (1887) by Briton Rivière
📍Art Gallery of New South Wales, Sydney
A little girl, a bloodhound nearly her own height, and a title lifted straight from an Act of Parliament.
The Kiss (1859) by Francesco Hayez
📍Pinacoteca di Brera, Milan
It looks like a love scene, but it may be a political poster in disguise.
Hayez showed it in Milan in 1859, just months after French and Piedmontese troops drove the Austrians out of the city.
Hercules Killing the Centaur Nessus (c. 1700) by Sebastiano Ricci
📍Sarah Campbell Blaffer Foundation, Houston (Museum of Fine Arts, Houston)
The man who painted this heroic rescue was once accused of trying to poison a pregnant young woman so he wouldn’t have to marry her.
Home at Last (1951) by George Hughes
📍Original painting's current location unverified; published as a Saturday Evening Post cover
Two kids get carried inside tonight. The third gets woken up.
The Remorse of Judas (1880) by José Ferraz de Almeida Júnior
📍Museu Nacional de Belas Artes, Rio de Janeiro
The most famous traitor in history, painted by a former church bell-ringer who wanted you to feel sorry for him.
Clytemnestra Hesitating Before Killing the Sleeping Agamemnon (1817) by Pierre-Narcisse Guérin
📍Musée du Louvre, Paris
Three years after a French king was restored to the throne, Paris flocked to see a painting of a queen about to stab a king in his bed.
Hijack (Jacques Guetta, b. 1992), Los Angeles
📍Private collections; represented by Contessa Gallery
His dad is Mr. Brainwash. He grew up with Banksy in the living room. And somehow, Hijack became the most technically skilled painter in the family.
The Peasant Wedding (1567) by Pieter Bruegel the Elder
📍Kunsthistorisches Museum, Vienna
The most famous wedding in art history, and nobody can agree on which person is the bride.
The Deluge (1840) by Francis Danby
📍 Tate Britain, London
A disgraced painter, back from a decade in exile, staked his entire comeback on the end of the world.
Anders Zorn (1860 - 1920)
📍Nationalmuseum Stockholm | Musée d'Orsay | Metropolitan Museum of Art | Zorn Museum, Mora
When a fellow traveller asked him "Are you Swedish?", he replied: "No. I am Zorn."
Llywelyn and his Brave Hound, Gelert (1880) by Gourlay Steell
📍 Royal Collection Trust
Queen Victoria's official animal painter chose the one dog story guaranteed to make a nation weep.
The Promised Land (2015) by Bo Bartlett
📍Private Collection
A painter who rows into the open Atlantic when he hits a creative wall made a 10-foot canvas about three people doing exactly that, and it might be the most honest painting about the American dream in the last decade.