There are just a handful of tickets remaining for the event we have in the library tonight, presenting @SunaAfshan's wonderful poems for the @TapeLetters project.
Follow this link to book:
https://t.co/DkPDNflty6
Our next Special Edition will be 'Tape Letters' - @SunaAfshan reads poems based on a collection of cassette tapes containing audio messages sent between Pakistani families who migrated and settled in the UK between 1960-1980.
8pm, Wed 5 Jul, £7.
Info: https://t.co/DkPDNflty6
Hello guys 👋🏼 Suna here. It appears that some devil has hacked my personal Twitter account. If you can just report that, it would be a great help. Needless to say, do ignore any weird messages/tweets etc from the account in the meantime.
My pics make this look like very serious poetry business but there was a full house and lovely vibe last night celebrating the publication of Caliban (@daregalepress) and Blood Feather (@JonathanCape) at @margaretstreet. A real pleasure to play host. 😊
First I got suspended (for reasons still unknown to me 🤷🏻♀️ but I think deactivating & signing up afresh made me look like a bot?) & now @SunaAfshan has been hacked by a crypto frog account. Can you guys report her as hacked so hopefully Twitter restore it to her?
Hello guys 👋🏼 Suna here. It appears that some devil has hacked my personal Twitter account. If you can just report that, it would be a great help. Needless to say, do ignore any weird messages/tweets etc from the account in the meantime.
While I was in Pakistan last year, I was also on @IMcMillan's @R3TheVerb speaking about the project, and reading from the pamphlet. You can listen to the episode via the link, which also features @MichaelRosenYes, @LaurenElkin, and @kit_green.
https://t.co/Mp7RzwR8Le
When @poetclare found out I was embarking on a translation project, she asked me to write an essay to accompany a couple of the Tape Letters poems; it was published in the winter 2021 issue of @MPTmagazine. The preface is an adaptation of that essay.
Read: https://t.co/SZE4PJNwRP
In the late summer of 2020, I took on a dream commission and began translating Pothwari, Pahari, and Pashto conversations into poetry: an attempt to reify languages without script into ink.
You can now pre-order the pamphlet that work turned into: https://t.co/DYxBSF728J
Friday 24/6 we will be launching Nabeela Saghir’s debut pamphlet ‘Let me make you something to eat’ with a party at Bham Waterstones, and we are delighted to welcome Nabeela’s guests, Rupinder Kaur & Suna Afshan to read as part of the celebration!
In-person&zoom tickets below⬇️
It’s lovely to have a poem in this issue of the @thedarkhorsemag, especially this one which touches on the dysmetropsia I had as a child, memories of which I’d entirely suppressed until I heard @ryuichisakamoto’s Tama and it all came flooding back. That’s ekphrasis for you.
🎉 PBLJ turns three! 🎉
Our next print issue, PBLJ8, will be published on the occasion of our third anniversary in June. It’s full of translations, poems, & reviews—all things readers have come to love about our little magazine. Have you pre-ordered it yet?https://t.co/XGIGfgmXEO
I’ve been on an intensive marketing course for the past week and my god. I think about little Suna with her unreliable, stroppy laptop *creating the best mag* entirely on the fly with her mates and it’s just—. I’m so glad that PBLJ’s past and present are united in this beauty 💛
As @ZaffarKunial writes, ‘Places aren’t always where they are,’ and now @PoetryBrum is not always in print! It’s always so heartening to see my magazine grow into herself. Have a look online at all the wonderfully curated content, and consider subscribing if you’ve not. 💙