Anthony Bourdain once said RATATOUILLE is the best food movie of all time.
“The best restaurant movie ever made, the best chef movie. The tiny details are astonishing:
•The faded burns on the cooks’ wrists.
•The ‘personal histories’ of the cooks.
•The attention paid to the food.
•And the Anton Ego ratatouille epiphany hit me like a punch in the chest–literally breathtaking.
I saw it in a theater entirely full with adults–and the reaction to that moment was what movie making was once–a long time ago–all about:
Audible surprise, delight, awe and even a measure of enlightenment.
I am hugely and disproportionately proud that my miniscule contribution (if any) early early in the project’s development led to a ‘thank you’ in the credits. Amazing how much they got ‘right.’”
Our room for the coming days in Houston. I don’t even know what to say about this. This is just unreal. No words.
Huge huge thank you to JJ Watt for giving me and my friends the opportunity to stay at a place like this🙏🙏🙏
🚨| Mercedes have identified an issue with Russell's car which has affected him since China.
It is said to be located "between the engine and steering wheel"
[@BBCSportWales]
Skyfall is peak Bond.
The moment Bond is shot, disappears beneath the river, and the film seamlessly transitions underwater into Adele’s theme and the title sequence is pure cinematic perfection.
If only this was the last Craig Bond film rather than No Time to Die.
THE TOWN (2010) could have easily been remembered as another post-THE DEPARTED (2006) Boston crime movie. Instead, Ben Affleck made something so tightly constructed and endlessly watchable that it somehow gets better every time it’s on TV.
Russell Crowe from 1997 to 2003 really felt like one of the last great old-school movie star runs. Every year he’d show up in another massive film and completely dominate it without ever feeling like he was repeating himself.