The X account for Elliot Stannard's adaptation of Paradise Lost by John Milton, made using his hand made drawing and CGI designs and brought to life with AI.
#animatic#animation#ai#humanart Disclaimer: This is an AI upscaled animatic using my own designs and artwork - made first practically through painting, CGI and drawing - to simulate what a final film could look like, when made by a team of people. One of the outcome of this is to advertise these designs to people who could make them with me practically, either on the internet or in an industry funded film I would direct. I have a full storyline worked out and a script in the works, as well as a full cast list. Another reason for this is to show some of these future casting ideas. I have used the likeness of Sydney Sweeney (@sydney_sweeney ) not to substitute her as a person, but to advocate for her casting in this film I want to make. I have also recorded myself and my mother doing impressions of the voices for these actors to show how their performances and voices would work in this final piece. No AI was used for the voice actors, and I limited it to only being used to provide that which I cannot at present accomplish myself (photorealistic animation). I hope to work with these very talented people on the final film one day, and this is my pitching vehicle to show how they could work in this scenario. Some works are based on edited stock photos of crowds and places to provide a greater scope, as well as wallpaper from Pinterest, but these are a minority in the overall product. I also heavily edited each one myself using Photoshop and other photo editing software before upscaling them. These include a swarm of locusts I inverted to make red or blue on a black background for the angels swarming in the sky. Other aspects include some works by artists whom I have credited and hope to work with on the project, but these are in the absolute minority (1 or 2). Other art from the public domain such as Gustave Doré's own Paradise Lost and Devine Comedy illustrations were used too. The majority of the work, however, I'd absolutely mine in design and I have provided ample evidence for this. This is ultimately not a "final product" but a pitch using simulation to display what my work could look like if adapted into a film. I hope to use this as a business model to help get more creators seen by studios to better get across their ideas, so as to bolster human art through AI tools for future human products. List of Music provided: https://t.co/l9wcBNUe2w https://t.co/6Dvc4b6EZf https://t.co/wt0Iq27s2M https://t.co/ApQtogbQ9v https://t.co/OLwmhYxNvP https://t.co/Fa86qOUgxJ https://t.co/OKCdN7uHuq https://t.co/3ppJEWX46c https://t.co/YVyDt2IEDh https://t.co/TlZzhVYmil https://t.co/DozRq1Vwyv https://t.co/JAxwpGpS9h https://t.co/k9aXxdzCXb https://t.co/AUOtdgMtLj https://t.co/y6fRyK8LS4 https://t.co/GP1YOOr7Ld https://t.co/36KiI2IMNK https://t.co/wZKYI4FHpb
@OocTobeyM They replaced some of the most iconic posters in early 2000s cinema and pop culture in general with these C graded, 12 year old's Photoshop projects?
My design of Lucifer in #ParadiseLost (@Paradise_@Paradise_LostAI) this is an AI assisted composition picture using my original drawing as the basis, the sketch rendered by @Prome_AI with a rose gold vector as a reference image and then the torso of my CGI model edited in. All my own work, a very lengthy process but worth it.
My artwork for #ParadiseLost, based on my original drawings and CGI models, all as concept art for my film adapted of the poem (@Paradise_LostAI). I have been working on this for the past 6 years (since I was 17 years old) as my main autistic interest, and as @AVARY is trying to bring it to the screen I thought it very necessary to show what I have done in this field and hopefully get his attention so I may be able to work in character design for the film.