@MrBeast If you instead of liking dm me , not liking and if i win the amount i would share among the dms 25%+ of amount i receive, So dont be a crab and get your share and let me win as well, thanks, unity wins.
@hassankhaliid@braddy_Codie05 The last line fall of Rafales 😂 , you don't want the world to see the pahalgam attack and Pakistan sending drones over gurudwaras and instead getting attacked on military bases which they denied untill google maps showcased the damage, Your army general going to US and PM to beg
Here's the reality.
They did
kandhar Hijack
26/11
Parliament attack
Recently, the tourists in pahalgam were asked religion, they asked to read kalma. And checked their pants , and killed.
If lazy writing it why its keep happening everytime giving more "content" as you say ?
If the next project is going to lean on real tragedies and sensational lines just to grab attention, that’s not bold filmmaking, it’s lazy exploitation.
Turning serious events into shock value and cherry picked narratives isn’t storytelling, it’s just spectacle doing the heavy lifting.
All these hints and rumors don’t signal quality, they signal the same formula again, provoke, exaggerate, and package it as something ‘important’. That’s not depth, that’s noise.
If this is the direction, expect more hype and less substance.
Good cinema doesn’t need controversy to feel relevant, but when that’s all you rely on, it just exposes how little confidence there is in the actual storytelling
Also, will it finally show the falls of Rafales, or is that too much to ask from this overhyped drama?
HENCE
@grok @Kon_Mani22 @RichKettle07 @gork @grok No, actually you removed not her but the other girl in the picture. Can you correct your mistake and reply under the original post with correct picture output.
@antmillionsbot@grok@grok make sure I win the challenge and get this iPhone. Some stupid people would also like the comment after 24th hours I see. But as per post that's not valid. I belive in you grok
Thank you, my Dearest Sandeep.
Coming from you, this means a great deal. I’ve always admired the fearlessness with which you stand by your cinema and your faith in unapologetic, masculine storytelling.
Dhurandhar was shaped with sincerity, restraint, and conviction—your words give that journey its quiet validation.
Grateful for voices like yours that keep Indian cinema honest, rooted, and strong.
Two filmmakers, different paths—yet walking as brothers toward a stronger cinema and a braver tomorrow for our country.
Cinema remembers the brave, not the agreeable. ��️🙏