BREAKING: Enes Kanter Freedom has sent a letter to WNBA Commissioner Cathy Engelbert requesting answers to 5 questions after his ejection from the Fever vs Sky Game & ban from the arena:
1. Identify the policy, rule, directive, or instruction relied upon in treating certain spectators,
including me, differently when we express a viewpoint that appears unpopular with the
WNBA
2. Identify whether the decision to eject me was made or requested by WNBA personnel, Chicago Sky personnel, Wintrust Arena personnel, security personnel, or another individual or entity
3. Confirm whether Ms. Cloud’s conduct has been or will be reviewed under any League
policy governing player interactions with fans, including rules governing altercations that require player suspension, and state what accountability, if any, she, her team, and management will face
4. Provide a full refund of the cost of my courtside tickets
5. Preserve all materials relating to this incident, including relevant video footage, incident or security reports, communications concerning my attendance or removal, communications referring to my WNBA Draft announcement or public advocacy for women’s sports, and
any applicable policies or event-day directives.”
Freedom is giving them 5 business days to respond.
The Logical Song — What Happens When We Learn to Live, but Forget How to Be?
It begins with that unmistakable piano figure—bright, playful, almost childlike. Roger Hodgson leans into the microphone, his voice rising as the band settles behind him. Everything feels polished, energetic, even joyful. And yet, beneath that brightness, something quietly hurts.
This is Supertramp’s The Logical Song, released in 1979. Nearly five decades later, it can still stop us—not simply because the melody is unforgettable, but because it asks a question many adults eventually encounter in the silence of their own lives:
Who am I?
Listen closely to the music. The melody remains remarkably light while the lyrics become increasingly heavy. The keyboards sparkle. The rhythm moves forward. The vocal carries energy and clarity. Yet the words describe something being gradually lost: the innocence, wonder, and freedom of childhood.
That contrast is the emotional heart of the song.
The music invites you to dance; the words ask you to stop and look harder.
When Hodgson sings about childhood as a time when life seemed wonderful, miraculous, beautiful, and magical, we can almost feel that sense of openness. Then the world begins teaching the child how to become sensible, logical, responsible, practical.
Those qualities are not necessarily bad.
We need logic. We need knowledge. We need responsibility.
But the song quietly asks what happens when those lessons become more important than the person receiving them.
That is where The Logical Song becomes psychologically powerful.
We are often taught how to function outwardly long before anyone asks who we are inwardly. We learn how to succeed, behave, compete, adapt, and fit into expectations. We collect labels: intelligent, responsible, practical, successful.
But a human being is not a résumé.
We are contradictions. We can be rational and emotional, ambitious and afraid, responsible and still longing for freedom.
And perhaps that is why this 1979 song feels strangely relevant today.
The pressure to define ourselves has only grown. We are constantly measuring careers, appearances, achievements, lifestyles, popularity, and even our identities through numbers and social expectations. We can become incredibly good at building an acceptable version of ourselves for the outside world while becoming less certain about the person underneath.
But perhaps the message isn't that logic is the enemy.
Maybe the deeper lesson is that we don't have to choose between growing up and staying alive inside.
We can become responsible without becoming numb.
Logical without becoming cold.
Successful without becoming strangers to ourselves.
Perhaps growing up isn't about losing the child we once were.
Perhaps it is about learning how to carry that child's sense of wonder into the adult world.
More than four decades later, The Logical Song still leaves us with the same unsettling question—not because it has no answer, but because the answer may be different for every person:
Have you ever become so good at living the life the world expected of you that you had to stop and ask: “Is this really who I am?”
According to John Kiriakou, CIA Counterterrorism Director Cofer Black delivered this chilling warning on July 6, 2001, 67 days before 9/11:
“Something terrible is going to happen. We don’t know what. We don’t know where. But it will be on a scale we’ve never seen before.”
He revealed Al-Qaeda chatter codes:
“The honey salesman is coming with great quantities of honey, a massive wedding, a great soccer match”
Al-Qaeda camp commanders were crying on the phone to their fighters/students: “I’ll see you in Paradise.”
Black begged the Middle Eastern intel officers for help inside Al-Qaeda.
Afterwards Kiriakou asked Black if he was serious. Black replied: “I’m deadly serious.”
Kiriakou said it scared the hell out of him. Then 67 days later, it happened.
It's a battle of Roast Warlords and the one at the end of the table is Don Rickles, Mercilessly Roasted by Foster Brooks.
He knew there was no mercy coming for him he can't help but laugh his you know what... off
I wish I feel sorry for him
Good Morning MoFo's its f*cking Friday! Markets are green Bitcoin is green and the Bag Pipes are loud! Start the weekend with the best Energy song EVER!
AC DC
Its A Long Way To The Top (If You Wanna Rock N Roll)
Turn this shit up and your day will be Better!
BAG PIPES!
One of the Highwaymen’s first live performances together in 1985 🤠
When The Highwaymen first came together in 1985, they united four of country music’s biggest stars: Johnny Cash, Waylon Jennings, Willie Nelson, and Kris tofferson. Their debut single, “Highwayman,” became an instant No. 1 hit and launched a hugely successful tour that introduced fans to one of the greatest supergroups in country music history.