PopLifeSTL is dedicated to providing readers with relevant news, reviews, and reflections on pop culture events in the St. Louis region. Created by @LynnVenhaus
Charming and delightful, “That Christmas” is an animated comedy that will give you the warm-and -fuzzies without the too-sweet and unrealistic situations that derail many of these holiday-themed movies. https://t.co/N3fh6QUl2f
Without skipping a beat, four iconic music legends continue a sentimental reunion in the cheery holiday show “Million Dollar Quartet Christmas,” which has been gift-wrapped with star power and delightful musicality. https://t.co/3hYdPMvAAj
Laugh-out-loud funny, New Jewish Theatre's “First Date” is a refreshing tonic that we didn’t know we needed, a balm to sooth our jangled nerves, a palate cleanser for these times. https://t.co/nrylibN1Nb
Lacking the focus and heart of its predecessor, “Gladiator II” undercuts its splatter-filled action sequences and on-point performance from Denzel Washington with a jumbled narrative that’s content to live in the shadow of greatness. https://t.co/rwskfvFOxj
Did it need to be this long? No. Is it worth your time? Yes. With ‘wow factor’ production values and sensational performances, this vivid re-imagining of the Land of Oz is a must-see event best-suited for the big screen. https://t.co/seh8yiBApj
"Super/Man: The Christopher Reeve Story" and "Will & Harper" tied for Best Documentary Feature at the Ninth Annual Critics Choice Documentary Awards. https://t.co/glRa1FAH5m
A zestful and exuberant “Anastasia: The Musical” is a crowning achievement for the Tesseract Theatre Company, which has crafted a big, bold production where every element is in harmony together. https://t.co/nVCgyf5X2S
A movable feast of tumbling ideas and kernels of wit, “Wolf Kings” is an inspired piece of inter-disciplinary performance by indomitable producing partners Maggie Conroy and Chuck Harper of YoungLiars. https://t.co/f1AYg1lwlT
None of the emotions “Red One” is trying to elicit are earned... Its clash of tones is irritating, but nevertheless, there are elements that can make either the naughty or nice list. https://t.co/xtajamyR54
Complicated family ties and honoring Jewish heritage are explored in the heartfelt “A Real Pain.” With its strong emotional pull as two once-close cousins reconnect, the comedy-drama is often amusing but also tinged with melancholy. https://t.co/2KXY1FQcst
In large part due to a deliciously sinister performance from Hugh Grant, co-directors Scott Beck and Bryan Woods’ “Heretic” is a taut, suspenseful slice of horror that strikes an unwieldy but entertaining balance between big ideas and blood-soaked chills. https://t.co/dvsmIhXouv
Come for the music, stay for the lovefest. A gleaming crowd-pleasing tribute, “A Beautiful Noise: The Neil Diamond Musical” at The Fox celebrates the singer-songwriter’s greatest hits, which is what the enthusiastic audience expected and was eager to do. https://t.co/RF3AAQq2OG
For a merry good time, head to The Repertory Theatre of St. Louis’s Emerson Studio to join in the fun of watching a pair of seasoned performers – two of St. Louis’ finest – beautifully bookend each other in a dark comedy on self-discovery, “The Roommate.” https://t.co/LcJtSICF8u
An intense, darkly funny, and, ultimately, heartbreaking tribute to those striving to achieve the American Dream, featuring a magnificent performance from Mikey Madison, director Sean Baker’s “Anora” is a film that feels gloriously alive. https://t.co/HuusdENjas
“Life Is a Dream” makes a case for living in the present, but also keeping dreams alive, and Upstream Theater underlines that with exclamation points. https://t.co/B7D36dXJJE
Fearless and unflinching, writer-director Jacques Audiard’s bold fever dream of a movie colors outside the genre lines. “Emilia Perez” is unlike any conventional cartel crime thriller that’s gone before. https://t.co/ts6kq3czXR
With its emotionally rich storytelling, Albion Theatre's “Lungs” demands much from Joel Moses and Nicole Angeli, who fearlessly tackle those challenges in their finely chiseled performances as M and W. https://t.co/qB0lBjyHXW
Frenetic, scattershot, and thoroughly self-absorbed, director Jason Reitman’s “Saturday Night” might satisfy those nostalgic for the early days of “SNL,” but fails to make a name for itself on its own merits. https://t.co/lyB8jg6b2A