"Outside, men unraveled yellow tape around my neighbors’ house like birthday streamers."
-- from "Pleasant View Drive," by J.A. McGrady
https://t.co/ANGVIRnnzB
"I’d written endless iterations of these poems...but they always felt impossible to finish."
-- from Cindy Milwe's interview about her poems in our new issue. Read the full interview here:
https://t.co/Mm2gxInXxd
The Senator
went into
the factory
to halt production
on the new moon.
— from “God Salsa,” by @neonpajamas. Please click the link to read the full poem.
https://t.co/ojMoAV6fc7
“These poems came out of a transitional time in my life. I’d spent a few years caught in the grind of city living…and eventually found myself needing to step away from that pace."
-- from Javier Sandoval's interview about his poems in PR43.
https://t.co/YvtdHyHRQi
"...each day before writing, spend five minutes or so “visiting with silence.” It’s meant to help you push past the everyday noise and connect to something deeper."
-- from Sarah Carriger's interview about her poems in PR43. Read the full interview here: https://t.co/8FKX7Nddeg
"...I’ve found the most significant memories and moments of understanding shine through when I give myself permission to wander."
-- from Kayleigh Norgord's interview about "The Dive Reflex," her essay in PR43. Read the full interview here:
https://t.co/U1EubZRrXG
“I never tire of learning that words often begin in one place and like stones gathering moss, end up in another world of meaning.”
– from an interview with J.P. White about his poems in Post Road 43. Read the full interview here:
https://t.co/yQM4wFUtmQ
“Any time I can combine fact-learning and people-watching, a poem is likely to result.”
— from Ceridwen Hall’s interview about the poems “Trigger Warning,” “Nostalgia and other risks” and “between us.” The full interview’s available here: https://t.co/QkBcUbsm2U
We’ve buried our sadness
and all the spades of therapy
can’t dig it up.
from "Too Happy," by Luke Bloomfield. Read the full poem here: https://t.co/KY9RVXgs2O
We're fortunate to be featuring an art folio by Bascha Mon in our new issue. Here's one selection from that folio:
On a Beautiful Day This Happened
Carbon pencil, gouache on Arches paper, 16” x 12”, Sunday, August 27, 2023
(Photo Credit: Adam Reich)
Over the weeks ahead we’ll be starting to get the word out about Issue 43 (due out in mid-May) by posting announcements, excerpts, readings and interviews. Today we’re featuring @matt_leibel’s story “Crushed” -- please click the link to read it!
https://t.co/nyIpaLQ32Z
"The weather is a bright and obvious song."
– from "If We Didn’t Leave the Task to Backhoes," one of six new poems by @SilanoMartha now appearing on our website:
https://t.co/ouBNQRYdMI
"There’s a hole in the future, hope
rises up, hope you don’t want."
– from "Life Poem 2," one of two new poems by
@egabbert now appearing on our site:
https://t.co/ry7XBbsHpQ
“Once, while traveling alone to see family, I saw Tom Hanks at the airport. He was also alone, just walking with a coffee, and it was definitely him.”
– from “I’m Tom Hanks,” by Mark Leidner, now appearing as a Web Exclusive on https://t.co/GEkm2T0DSp
“Well, I went to school too—the school of hard knocks,” he grumbled into the rearview mirror.
-- from "Sentimental Education," by Abigail Carl-Klassen, now appearing as a web exclusive on https://t.co/GEkm2T0DSp.
"A river, which she had not seen yet in this town, ran below somewhere. There would have to be persisting and hopeful boats."
-- from "Hope," a new story from Rebecca Pyle, now appearing on our site as a Web Exclusive.
https://t.co/lIRJGUPEBr
"Like many moody souls, I like a rainy day. I like the wet dirt and heavy air, the thick dripping from overhangs and tree branches, the cold."
– from Alizabeth Worley's essay "Rain," which appears in Post Road 42
https://t.co/UmCMwI3WEk
We the People, 2022
by Howard el-Yasin
(Photo credit: Woodruff Brown)
A folio containing sixteen works by Mr. el-Yasin is available in the print edition of Post Road 42 -- please visit https://t.co/GEkm2T0DSp for more information.