Mirabilis VCP ✨

Le plus important n’est pas la destination mais le voyage. Barca Love 💙❤️

[Hashilé 🇸🇳🇲🇱🇳🇬 | Personnage principal @sankurienne]

Si on part du principe qu’il faut tout un village pour élever un enfant, alors je pars aussi du principe qu’il faudrait consulter ce village (ces femmes) avant une grossesse pour savoir s’il est réellement en mesure d’apporter l’aide que on attend de lui.

Quand j’en ai eu assez c’est exactement ce que j’ai dit à ma cousine. Je lui ai dit: quand tu décides d’avoir des enfants, je ne suis pas consultée. Mais quand je dis que je n’ai ni le temps ni l’énergie pour venir aider soudainement on essaie de me culpabiliser??

Désolée mais ça ne fonctionne pas comme ça.
On peut pas considérer mon temps comme une ressource acquise d’avance

[Amina 🦉 @PlotNotForSale2]

If Tyler Perry had written Polygamy, Jonasi Gomora would be sleeping with both men and women and they'd have renamed him Jonasi Gomorrah.

[QBgami @QBgami]

Erling Haaland vs. Iraq

[Mirabilis VCP ✨ @Presidente_X]

@IdongesitUduehe Which one?

[HistoireDuCameroun🇨🇲 @mbeatowe]

Architecture for Change - Series 14 / African Flow
-
Jardin d’enfants, Soa, Cameroun. Construit en pisé et en bois d'azobé, et réalisé grâce à des savoir-faire locaux, ce jardin d'enfants conçu par Urbanitree associe conception bioclimatique, autonomie énergétique et dimension éducative. Plus qu'une école, c'est une architecture qui enseigne à travers sa propre construction.

[موسكو | 🇷🇺 MOSCOW NEWS @M0SC0W0]

صدمة اللقاء الأول..

عريس يغمى عليه لحظة رؤية عروسته.

[†Princesse Barbara† @LadyBarbieBabs]

C'est ma nièce!!!
Nzambe, partagez au maximum svp! 🙏🏾🙏🏾🙏🏾🙏🏾🙏🏾🙏🏾

[🇨🇲✌🏾Assi Marotchi, BEPC ✌🏾🏳️‍🌈 @Ngamvit]

L’histoire de la majorité des filles dans nos universités. Lorsque j’ai eu mon bac, mon frère m’a déconseillé de marcher avec les filles. Parce que les profs qui les courtisent peuvent me bloquer en croyant que j’étais leur gars. Les femmes souffrent trop.

[Florian Louis @flr_louis]

Mona Chollet - Soigner sa peau

Exploration d'une obsession

À paraître en octobre chez La Découverte

[Bobby @Aa547736]

@Omerta_officiel Ce lien ne fonctionne pas.

La vidéo est ici
https://t.co/nsAxPyfjV6

[Kayaa @sarahfrikh]

Des Jérôme Barella il y en a énormément, on les a traqué!
Mon documentaire est enfin disponible.
En immersion chez les pédophiles qui sortent du silence !
C’est avec une immense fierté que je vous annonce la sortie de mon documentaire « Les Collectionneurs ".

[Mirabilis VCP ✨ @Presidente_X]

https://t.co/PKyeRK0LJh

[Mirabilis VCP ✨ @Presidente_X]

@OurHealthNest Waoouuh

[Mirabilis VCP ✨ @Presidente_X]

@MeCongolese Quelle IA avez-vous utilisé ?

[Alice Evans @_alice_evans]

Studying Southern Africa has taught me so much.

Rather than applying a universal concept of patriarchy, we need to understand the challenges in each particular society

While Southern Africa scores highly on many conventional indicators of gender equality, this is striking

[Alice Evans @_alice_evans]

What's breaking the market for love?

Southern Africa has made major strides towards gender equality, but it has very high rates of unintended pregnancies and single motherhood.

Why is this?

🧵

[Le Figaro TV @LeFigaroTV]

«Les femmes sont beaucoup plus retorses à avouer leurs crimes durant les interrogatoires. C'est la plus grande différence avec les hommes criminels. Elles ressentent souvent comme une forme de légitimité dans leurs actes», explique la commandante Audrey Renard dans Points de Vue.

[Sizwe SikaMusi @SizweLo]

Ever notice how when some men suddenly come into large amounts of money, they start pretending to have a money snake, aka ubhululu/umamlambo/inyoka yemali?

Even when they don’t start such rumours, they allow them to fester because this generates fear, which keeps people from asking questions.

They do this because this ambiguity helps to explain away sudden wealth in unequal communities, discourages scrutiny, especially when the money is ill-got, but even when it’s not, it also creates mystique and fear
and it protects secrecy around actual income sources.

Another reason is that in the townships and rural areas, unexplained prosperity attracts pressure with relatives asking for help, neighbours demanding to be plugged, witchcraft, jealousy and criminal targeting.

So a rumour about occult wealth becomes useful because if people think “Don’t ask too many questions, that guy has something dark behind him”, they stop probing.
What you then get is that the new money mogul never explicitly says, “I have a money snake.” He just doesn’t deny the accusation; instead, he acts mysteriously, avoids explaining business operations and usually cultivates fear intentionally.

That opacity protects him from accountability. It’s harder to ask “What exactly do you do?” “Where did the tender money come from?” “Why are there no visible businesses?” “How did you suddenly buy twelve taxis and a Ferrari?” because the conversation shifts from economics to the supernatural, and most people simply don’t want that smoke.

This is not new; Khotso Sethuntsa perfected this technique decades ago. (https://t.co/YTpPMIGQ1x)
Oral histories are full of him boasting about supernatural powers, yet he also had documented political ties to Afrikaner elites and the Apartheid Nationalist Party.

Sethuntsa ran shebeens, transport, and property, but the myth of the seven snakes in jars under his bed made people afraid to ask how a Black man in Apartheid South Africa could own so much. He just claimed his wealth came from a deal with a White sangoma in the sea, and that was it.
Sethuntsa understood that the snake mystique protected the real sources of his influence and money. Decades later, people still whisper about his snakes rather than his actual economic networks.

Now, the money snake is almost always associated with men in these narratives. Women who accumulate wealth suddenly are more often accused of prostitution, ukuthwala, or being izangoma, selling sex for money. But the idea is the same.

In a 1999 paper titled Occult Economies and the Violence of Abstraction, Jean and John Comaroff note how South Africa has seen a “dramatic rise in occult economies: in the deployment, real or imagined, of magical means for material ends”.

The Comaroffs referred to this as “the occult economy”, which they linked to the deployment of supernatural explanations to handle the baffling realities of postcolonial capitalism and argued that postcolonial capitalism, especially after Apartheid ended in 1994, feels deeply mysterious to everyday people, because in the “New South Africa”, people were promised that freedom would bring wealth, yet severe structural inequality remained.

So, when sudden, massive wealth appears without a clear trail of hard labour, as is often the case with winning a tender, pyramid schemes, or sudden investments, it looks and feels like magic. The Comaroffs call this “the enchantment of capitalism”.

They make the point that under global financial capitalism, money flows are highly abstract, with electronic transfers, shares, bonds, offshore accounts, and government tenders. So if a community cannot see the physical factory or the sweat of a man’s brow, the wealth becomes “abstract” and mysterious.

It is notable that for White people, wealth was never seen as magical; it has always been seen as merit, inheritance, hard work, or good business sense. The same abstraction of offshore accounts, share portfolios, and trust funds that looks opaque to Black eyes is culturally coherent to White middle-class investors.
So, for Black people, the snake myth fills a gap: a way to narrate wealth that has no visible labour, but in a context where the official explanations are themselves unavailable or implausible to poor observers.

To this end, the authors argue that because (Black) people cannot trace the real economic roots of the wealth displayed in front of them, they try to make it concrete by using the language of the supernatural. Meanwhile, by letting the paranormal rumour flourish, the new money moguls use this as a shield. They replace a potentially dangerous legal/political question with a terrifying supernatural one.

The Comaroffs describe this as a symptom of South Africa as a postcolony where the lines between legitimate business and magical speculation have completely blurred, at least for most Black people and that an occult economy is born out of “the appeal to mystical mechanisms for producing wealth ... mechanisms that defy standard economic laws”.

This is because under Apartheid, Black wealth was systematically blocked; after 1994, sudden accumulation by a few looks doubly suspicious. In this sense, we can say the occult economy is not “irrational” but a rational response to a violent, racially stratified transition to neoliberalism.

Now, this is where it gets tragic: The myth is not harmless. As the Comaroffs warn, the belief that money has to be coming from mystic sources becomes self-fulfilling, as eventually people go out and seek magical means through ritual murders, tokoloshes, etc., when real accumulation fails. We have all heard of how desperate people, seeing no structural way out of poverty through hard labour, attempt to replicate the myth.

So the “strategic” silence often spills over into actual occult practices, further entrenching the link between inequality and supernatural belief, which incentivises real ritual murder.

Now, I keep making the point that allowing the rumour to flourish cultivates fear; however, when someone does push through the fear, like a disgruntled relative, a journalist, or an ex-associate, the snake narrative may collapse into violence when the rich man kills the questioner, which is then interpreted as being done to “feed the snake”.
This protects the mogul from being viewed as a mobster or a corrupt actor; instead, he remains a terrifying, untouchable mystical figure.

That’s why you often see such men also cultivating political patronage, just like Sethuntsa before them, because the snake rumour shields them from the poor, while they keep politicians to protect them from institutional investigation by SARS, the Hawks, SIU, etc.

In summation, we can say that what looks like mythology is, at its core, a governance mechanism that protects big money from scrutiny while leaving communities to explain their own dispossession through the only way made available to them: ancient folklore.

If you like reading this sort of heterodox thought on a variety of topics, I’d appreciate your support. Please feel free to subscribe to my Patreon for exclusive essays that don’t make it to the public feed. Your subscription keeps this work going. Link in bio. Thank you for reading.