María Gabriela Colmenares España

Directora del @ININCOUCV
Cátedra de Teoría y Análisis del Cine (UCV).
Investigadora asociada (UCAB)

[María Gabriela Colmenares España @Profe_EmeGe]

I'm thrilled that the English language version of my scholarly article "After Half a Century" (1966) and the Decline of Shell as a Modernizing Agent in Venezuela is finally out https://t.co/xtL3bvajJN @iicmuseouabc

[ININCO-UCV @ININCOUCV]

#rescatemoselININCO

[Internet Archive @internetarchive]

❤️ Love the Wayback Machine? Some publishers and news organizations are blocking it from archiving journalism—cutting off access to the public record and future accountability.

Want to tell them to stop blocking web archiving? ✍️ Sign the open letter to support keeping journalism preserved in the Wayback Machine ⤵️
https://t.co/fUrdNz60RD

@fightfortheftr #SaveTheArchive #DigitalArchive #WaybackMachine #TruthMatters

[FilmoteCanet Cinema @CanetCinema]

Éric Rohmer

[Internet Archive @internetarchive]

And speaking of preserving internet history...

Today’s memes & cultural moments become tomorrow’s historical record. But some publishers are blocking the Wayback Machine from preserving their work. Help keep the web from becoming a giant 404.

Sign ⤵️
https://t.co/XJap1UG6AX

[Internet Archive @internetarchive]

Turns out the real Backrooms were hiding in web archives. 👀

Internet sleuths tracked down the original location of the Backrooms image using the @waybackmachine, proving once again that preserving the web is important for internet history, folklore, and mysteries, too.

[𝐂𝐢𝐧𝐞𝐦𝐚 𝐀𝐧𝐝 𝐌𝐢𝐬𝐝𝐞𝐦𝐞𝐚𝐧𝐨𝐫𝐬 @CinemaCrimes]

THE BIG HEAT
Fritz Lang | 1953

[ty @castcredits]

La Belle Noiseuse (1991)

[Cinema Phenomenology @phenocine]

60th Anniversary: BRIGITTE ET BRIGITTE [Brigitte and Brigitte] (1966) Luc Moullet

[MUBI @mubi]

SOME LIKE IT HOT (Billy Wilder, 1959.)

[APUCV @APUCV]

Este lunes, la APUCV, APUFAT y Sinatra UCV realizaron una rueda de prensa para denunciar la discriminación que el Gobierno Encargado sigue haciendo en el sector universitario, el relación al pago del Bono de Responsabilidad Profesional.

#UCV #profesores #SalariosDignosYa

[FilmoteCanet Cinema @CanetCinema]

Persona
by Ingmar Bergman

[FilmoteCanet Cinema @CanetCinema]

Hail Mary
by Jean-Luc Godard

[Classic Movie Hub @ClassicMovieHub]

Alida Valli and Joseph Cotten in The Third Man

[La femme merveilleuse invisible @larwoolf]

@PollSter_Mike1 Carnal Knowledge 1971

[AFI @AmericanFilm]

🎬 Today we celebrate the one and only Clint Eastwood on his birthday! A true Hollywood icon and the 24th #AFILife Achievement Award Honoree. During a visit with AFI Conservatory Fellows in 1973, Eastwood shared stories and insight with the next generation of storytellers.

[Skip_Bolden 💙 🎬 🎞️ @BoldenSkip]

THX 1138 (1971) Written and Directed by George Lucas stars Robert Duvall and Donald Pleasence with Don Pedro Colley, Maggie McOmie, and Ian Wolfe in supporting roles.

Visit the future where love is the ultimate crime.

[Best of Kubrick @KubrickPoint]

War has rarely looked this real

[sᥕᥱᥱ𝗍 𝗍һіᥒg❤️‍🔥(𝙰𝚜𝚒𝚊) @55SweetThing]

Rare footage of legendary George Gershwin performing a piano solo of his iconic hit, “I Got Rhythm” filmed during a Manhattan theater opening 🎹(1931)

[Sabrina Moro @SabrinaMoro9]

From Here to Eternity ( 1953 ).
Fred Zinnemann 🎥

[Sight and Sound magazine @SightSoundmag]

“The cultural prominence of 'old' movies may be shrinking, but Marilyn's face is still one of the world's most famous. People barely out of their teens, who have never seen a movie made before the Harry Potter series, can identify her.

“That has, paradoxically, hurt the way her talent is assessed, not helped. There's SO much baggage with Monroe. Not just the misfortunes, or the mistakes that Marilyn herself made over time – she was, like all of us, doing her best – but the weight of rumours, stereotypes, conspiracy theories, all of it magnified by the sad fact of her early death.

“Such crazy and ever-changing fame can put people off. They roll their eyes and claim they'd rather leave her to gossip shows, obsessives, influencers and rich people angling for the red carpet at the Met Gala. But avoiding the Marilyn industry is one thing; avoiding her films is needless self-denial. The world doesn't offer us much pleasure right now, and there are few things in cinema more joyous than discovering just how good Marilyn could be.”

Farran Smith Nehme, writing in S&S's newest issue, which pays tribute to the great actress.

Get your copy: https://t.co/GO57f4VhtY