静希有珠

[静希有珠 @Putadent]

@GyaruGlow Hi, this video was reposted without the original creator’s consent — they never agreed to have it shared here. Please remove the video. Thanks!

[静希有珠 @Putadent]

@bang_dream_info Even a trash anime is getting a sequel

[静希有珠 @Putadent]

Lastly, why did Uika, who seemed perceptive, emotionally intelligent, and skilled at reading the room in last season, suddenly become dull and clueless this season? How did she completely misinterpret Sakiko’s feelings, remain passive when the band disbanded, and even make things worse? And how does a major character like her, after disappearing for three episodes, suddenly reappear as someone writing creepy, borderline harassing lyrics, disregarding Sakiko’s feelings entirely, and obsessively trying to keep her trapped by her side like a deranged, love-crazed stalker? Then in Episode 11, out of nowhere, it’s revealed that Uika is actually Sakiko’s aunt—a clichéd and utterly meaningless plot twist. Did they really spend 10 episodes pretending to be deep just to drop this?

This anime is completely illogical—nothing more than a trashy work that exists solely to ruin its own characters.

[静希有珠 @Putadent]

Up to Episode 10 & 11, this anime has been a complete failure.

There is one question that runs through all 11 episodes, leaving viewers confused: Just how much do the creators hate Sakiko? Why does Sakiko have to endure so much baseless criticism, have her dignity trampled on, be hated by her friends and family, and have all her efforts and dreams completely invalidated?

By Episode 10, this anime has become nothing more than an unjust condemnation of Sakiko, pushing her into a dead end where every choice—whether moving forward or turning back—is portrayed as a mistake. It strips away her autonomy and individuality, leaving her with no choice but to be forcibly pushed forward by those around her.

Worst of all, the creators deliberately portray Sakiko with a harsh attitude toward other characters, an inconsistent stance on the band, and repeatedly use in-story dialogue to invalidate her. She shows complete indifference to Mutsumi’s mental state, she loses to Nyamu in the struggle over the band’s direction, she treats the other members poorly, and even Mujica’s success is depicted as nothing more than the result of the Togawa family’s influence. Even the penalty fees after the band’s disbandment are covered by her grandfather, making it seem as if Sakiko is truly incompetent—just a privileged rich girl playing around with a band as a hobby. This excessive negative portrayal makes it difficult for viewers to sympathize with her struggles—instead, it only fuels growing resentment toward her. As a result, Sakiko, who was by far the most popular character before the anime aired, has now become the most disliked character among the audience.

[静希有珠 @Putadent]

Mortis, who was literally faking emotions to survive in the last episode, is now suddenly so moved during the live performance that she merges with Mutsumi? Why does every character seem completely indifferent to Mutsumi’s disappearance? Why did the show spend a full 10 episodes developing the dual personality storyline, only to wrap it up in a single shot in Episode 10? There’s no follow-up on what happens to the fused Mutsumi and Mortis, and none of the other characters seem to care. Then, in Episode 11, the story abruptly shifts to Uika’s plotline, as if the entire dual personality arc never even happened.

[静希有珠 @Putadent]

Sakiko, who just in the previous episodes claimed she was living for Mutsumi, suddenly shows zero concern upon learning that Mutsumi has disappeared—how does that make any sense? Why did Sakiko go as far as reuniting Crychic for Mutsumi in the last episode, only to suddenly act as if Mutsumi doesn’t matter and decide to reform Mujica instead? And why was Uika blocked by the company executives when she tried to reform Mujica in the previous episode, yet now, out of nowhere, the reunion is happening anyway?

[静希有珠 @Putadent]

Episode 10 serves as a transitional conclusion, wrapping up the dual-personality storyline of Mutsumi and Mortis. But seriously, why do all the character developments feel so abrupt and completely illogical?

How does Nyamu, the very person responsible for disbanding Mujica in Episode 4, have the audacity to lecture Sakiko, claiming she abandoned the other members? Why did Nyamu disregard Sakiko’s plans and remove their mask during the performance without permission? Why did she go against Sakiko and try to change Mujica’s performance style? Why did she try to drive a wedge between Mutsumi and Sakiko and even attempt to lure Mutsumi away from Mujica? How does someone like that have the audacity to claim that she entrusted her entire life to Sakiko, only to then guilt-trip Sakiko into reforming the band? How is it that Nyamu, who was a brand ambassador for a major fashion company just two episodes ago, is now suddenly left with nothing except Mujica? Why does she suddenly have such a love-hate relationship with Mutsumi in episode 10?

[静希有珠 @Putadent]

Then there’s the portrayal of Mutsumi and Mortis’ dual personality, which is rather baffling. This setup completely dismantles the image of Mutsumi that viewers had built up over the previous season, and it doesn’t seem to offer any real benefit to Mutsumi as a character. The show repeatedly emphasizes the deep bond between Sakiko and Mutsumi, yet it never actually takes the time to develop or showcase this relationship in a convincing way. As a result, it feels hollow and unearned.

Ultimately, the dual personality aspect does nothing to develop the character—it’s merely a tool to push the plot forward. first, to act as the catalyst for Mujica’s disbandment in Episode 4, second, to provide a convenient tool for criticizing Sakiko, and third, it provides an excuse for Crychic’s reunion in Episode 7. Lastly, it serves as an excuse for Mujica’s reformation—because if they don’t reunite, Mortis will die.

[静希有珠 @Putadent]

Lastly, why did Uika, who seemed perceptive, emotionally intelligent, and skilled at reading the room in last season, suddenly become dull and clueless this season? How did she completely misinterpret Sakiko’s feelings, remain passive when the band disbanded, and even make things worse? And how does a major character like her, after disappearing for three episodes, suddenly reappear as someone writing creepy, borderline harassing lyrics, disregarding Sakiko’s feelings entirely, and obsessively trying to keep her trapped by her side like a deranged, love-crazed stalker? Then in Episode 11, out of nowhere, it’s revealed that Uika is actually Sakiko’s aunt—a clichéd and utterly meaningless plot twist. Did they really spend 10 episodes pretending to be deep just to drop this?

This anime is completely illogical—nothing more than a trashy work that exists solely to ruin its own characters.

[静希有珠 @Putadent]

Up to Episode 10 & 11, this anime has been a complete failure.

There is one question that runs through all 11 episodes, leaving viewers confused: Just how much do the creators hate Sakiko? Why does Sakiko have to endure so much baseless criticism, have her dignity trampled on, be hated by her friends and family, and have all her efforts and dreams completely invalidated?

By Episode 10, this anime has become nothing more than an unjust condemnation of Sakiko, pushing her into a dead end where every choice—whether moving forward or turning back—is portrayed as a mistake. It strips away her autonomy and individuality, leaving her with no choice but to be forcibly pushed forward by those around her.

Worst of all, the creators deliberately portray Sakiko with a harsh attitude toward other characters, an inconsistent stance on the band, and repeatedly use in-story dialogue to invalidate her. She shows complete indifference to Mutsumi’s mental state, she loses to Nyamu in the struggle over the band’s direction, she treats the other members poorly, and even Mujica’s success is depicted as nothing more than the result of the Togawa family’s influence. Even the penalty fees after the band’s disbandment are covered by her grandfather, making it seem as if Sakiko is truly incompetent—just a privileged rich girl playing around with a band as a hobby. This excessive negative portrayal makes it difficult for viewers to sympathize with her struggles—instead, it only fuels growing resentment toward her. As a result, Sakiko, who was by far the most popular character before the anime aired, has now become the most disliked character among the audience.

[静希有珠 @Putadent]

Mortis, who was literally faking emotions to survive in the last episode, is now suddenly so moved during the live performance that she merges with Mutsumi? Why does every character seem completely indifferent to Mutsumi’s disappearance? Why did the show spend a full 10 episodes developing the dual personality storyline, only to wrap it up in a single shot in Episode 10? There’s no follow-up on what happens to the fused Mutsumi and Mortis, and none of the other characters seem to care. Then, in Episode 11, the story abruptly shifts to Uika’s plotline, as if the entire dual personality arc never even happened.

[静希有珠 @Putadent]

Sakiko, who just in the previous episodes claimed she was living for Mutsumi, suddenly shows zero concern upon learning that Mutsumi has disappeared—how does that make any sense? Why did Sakiko go as far as reuniting Crychic for Mutsumi in the last episode, only to suddenly act as if Mutsumi doesn’t matter and decide to reform Mujica instead? And why was Uika blocked by the company executives when she tried to reform Mujica in the previous episode, yet now, out of nowhere, the reunion is happening anyway?

[静希有珠 @Putadent]

Episode 10 serves as a transitional conclusion, wrapping up the dual-personality storyline of Mutsumi and Mortis. But seriously, why do all the character developments feel so abrupt and completely illogical?

How does Nyamu, the very person responsible for disbanding Mujica in Episode 4, have the audacity to lecture Sakiko, claiming she abandoned the other members? Why did Nyamu disregard Sakiko’s plans and remove their mask during the performance without permission? Why did she go against Sakiko and try to change Mujica’s performance style? Why did she try to drive a wedge between Mutsumi and Sakiko and even attempt to lure Mutsumi away from Mujica? How does someone like that have the audacity to claim that she entrusted her entire life to Sakiko, only to then guilt-trip Sakiko into reforming the band? How is it that Nyamu, who was a brand ambassador for a major fashion company just two episodes ago, is now suddenly left with nothing except Mujica? Why does she suddenly have such a love-hate relationship with Mutsumi in episode 10?

[静希有珠 @Putadent]

Then there’s the portrayal of Mutsumi and Mortis’ dual personality, which is rather baffling. This setup completely dismantles the image of Mutsumi that viewers had built up over the previous season, and it doesn’t seem to offer any real benefit to Mutsumi as a character. The show repeatedly emphasizes the deep bond between Sakiko and Mutsumi, yet it never actually takes the time to develop or showcase this relationship in a convincing way. As a result, it feels hollow and unearned.

Ultimately, the dual personality aspect does nothing to develop the character—it’s merely a tool to push the plot forward. first, to act as the catalyst for Mujica’s disbandment in Episode 4, second, to provide a convenient tool for criticizing Sakiko, and third, it provides an excuse for Crychic’s reunion in Episode 7. Lastly, it serves as an excuse for Mujica’s reformation—because if they don’t reunite, Mortis will die.

[静希有珠 @Putadent]

@kamokohdai Just how much do you hate Sakiko to write such a ridiculous storyline that completely negates everything about her?

[静希有珠 @Putadent]

@BDP_AveMujica The worst animation ever. Just how much must the director and staff hate sakiko and Mujica to come up with such a disgusting storyline?

[静希有珠 @Putadent]

@Vitality_apEX @TeamLiquid Retire

[樂壱(ウニクロ) @rakuichirakuthe]

今日の鬼滅のアクションシーンすごかったね！このアニメ作ってる会社いつもそうなの？

そうだよ！チャーハンのパラパラ感を出すために米を一つ一つ作画してくるイカれた会社だよ！！

#鬼滅の刃

[Fate/stay night @Fate_SN_Anime]

徳島の桜が咲きました。

2017年5月、マチ★アソビ vol.18 にて行われた「桜の植樹会」から約5年。
ファンの皆様に見守られ、今年もこの季節を迎えることができました。

本日─3月28日は当初、最終章の公開が予定されていた日。
約束の春を、変わらず、お楽しみいただけると幸いです。
#fate_sn_anime

[かもあし @kamo_ashi_]

あけましておめでとうございますカリバー！
#FGO