Ad Noir

Este mundo no te deja ser bueno

[Pame Viteri☭ @PameViteri]

En este país todos son narcotraficantes.

Desde los pescadores, médicos, campesinos, luchadores sociales, afros, niños, adolescentes, indígenas hasta mujeres activistas.

Excepto a quien le encuentran droga en las cajas de su empresa.

[Hariom @HariomK61498]

Pure class. Pure Federer. 🎾👑

[Film Crave @_filmcrave]

Emilia Clarke stuns in new photos.

📸 Naoko Scintu

[US Open Tennis @usopen]

TOP OF THE WORLD 🌎

Elena Rybakina defeats Sabalenka 6-4, 5-7, 6-2 to claim her first US Open title!

[Ad Noir @QuintoReich]

Henry es Superman ❤️💙
#HenryCavillSuperman
#ManofSteel2 #RestoreTheSnyderVerse

[Martín Santomé @galosanchez20]

Mismo día
Mismo tema
Prensa nacional / Prensa internacional

[Ad Noir @QuintoReich]

Concuerdo…

[🕸️🦇🎃Spooky Viking Vicky🎃🦇🕸️ @VGarcy2]

Para mí a día de hoy el episodio 3 de The Last of Us es y será una obra de arte

[Dinora❤️RF 🐐 @norinchi_df]

@rogerfederer back at the @usopen 😍
📸Dennis the Photographer

[MovieTalks🎬🍿 @jackofficial_01]

Still thinking about this 10/10 masterpiece

[Sky Frames @sky_0707s]

The Odyssey (2026) by dir. Christopher Nolan

[𖤐 Bri 𖤐 @BriAnimator_]

Going to the movie theater

[Ad Noir @QuintoReich]

El más grande de todos 🏆

[ESPN Tenis @ESPNtenis]

¿Qué tenista te hizo amar al tenis como nunca antes? 👀

[Laver Cup @LaverCup]

An indelible impact.

A legacy measured by more than victories. Happy birthday, Roger.

#LaverCup #TennisUnrivaled

[ESPN Tenis @ESPNtenis]

Nombrame un mejor revés que este y desactivo la cuenta.

[Christopher Nolan Archives @NolanAnalyst]

I’m completely amazed every time I see this moment, even more so knowing the dolphins were filmed by chance. This is why studio shoots will never rival shooting in real locations.

[Ben Stiller @BenStiller]

“To return to work is to return home.”

Kier Eagan

[Variety @Variety]

Christopher Nolan has now scaled that peak of populist mystique shared by only a few directors in movie history: Spielberg, Hitchcock, Kubrick, Tarantino.

A Christopher Nolan film is inevitably an Event, and that extends to the way we watch it. The audience — our anticipation and excitement, the afterglow of our response — is woven into the Event.

In that sense, every Nolan film is a self-fulfilling prophecy — not a masterpiece, necessarily, but a work so singular in its vision that it creates the big-swing aura of a masterpiece, each with its own world-building majesty.

Whether or not any given Nolan film totally “works” is, in a way, almost irrelevant. He’s making head trips for the masses, and so every Nolan film automatically qualifies as his new Ultimate Trip.

Read the full column from @OwenGleiberman: https://t.co/tF4FocjAO8