Rhetoric, Politics, and Culture (RPC) is a peer-reviewed, bi-annual journal that embraces a pluralistic approach to rhetorical scholarship. #RPCJournal
If you're interested in submitting a piece for #RPCJournal's forum on Rhetoric, Politics, and Culture in Perilous Times, you can find details at https://t.co/8eE8gbOfoV. Submit your essays by December 15, 2020. Submissions should be less than 3,000 words for the forum section.
Forum #2: ROLL CALL!
We want to hear from grad students who've moved beyond white proprietary processes of graduate school where they are positioned merely as new settlers in academic logics that mimic their program's existing theories and faculties.
Submit by April 15, 2021.
"What programs, orgs, collectives, and/or pedagogies have sustained your critical work and how have these spaces expanded the possibilities and definitions for what constitutes activism and organizing? How do we unsettle graduate education? What might that look like and do?"
@revstacey @autismpastor has a new book coming out called, “Disability and the Church: A Vision for Diversity and Inclusion.” He might be a good resource or know someone that can help. The book is really thought provoking and should be required reading for all Pastors!
So I woke up to this...
"No Future in This Country" was named one of the best new Rhetoric books by @BookAuthority! This is a good thing, right?? https://t.co/oOkDiOQ61Q
"Black feminism lives, and it lives because we water it with our time, our practices...and our presence and because our ancestors and the spirits that support us water it too. [T]he Combahee pilgrimage was/is a dream come true: a prophecy in the present tense." @alexispauline
My notes in The American Historical Review. *New Perspectives on the Black Intellectual Tradition* edited by Keisha Blain, Christopher Cameron, and Ashley Farmer of
AAIHS. Much good work done...much good work ahead. https://t.co/MhfBZJqh37
In my new article, "Bigger than the Sound: The Jamaican Chinese Infrastructures of Reggae," @SmallAxeProject, I chart sonic Afro-Asian intimacies and tensions in the birth of reggae music in the 1940s and 50s. Just published, link here https://t.co/7v2nfIGQ9K
I wrote a book that tells a story of black life in Mississippi, which means it's a book about black life in America, which means it's a book about us—then, now, and in all the next lifetimes. That's what Fannie, @jesmimi, @KieseLaymon , @BIGKRIT, and my momma would say anyway.