A colourful stew of nostalgia and sentimentality, it is hard to not feel warmed and nourished by the current retrospective of Norman Gilbert at @GlasgowTramway.
Thank you @theskinnymag for this spread, and @nicolajeffs for your fab PR-ing! I really loved writing this 🧡
@RKovitch_@SomersetHouse @anti_worlds @_fayedowling Can't wait to see this exhibition next week. Also saw the Blu Ray in stock at Richard Saltoun gallery today. ✂️
Sophie von Hellermann's paintings are characterised by their large scale, eery and ephemeral quality.
"Sophie von Hellermann's paintings are underpinned by the inner workings of her subconscious." — Charlotte Eytan
1) Dawn, 2018
2) Light Disco, 2018
Patricia Paludanus' pencil works transport us through magical portals into surrealist realms to draw us back to an early magical seeing when our eyes were brand new.
https://t.co/6BYvtOzgod
Lost in Translation, 2022
Old Timber to New Fires, 2022
Alchemy, 2019
Projection, 2022
In the last two years, we have been lucky enough to have been gifted not one, but two, small collections containing personal ephemera, photographs and sketches by the Surrealist poet and painter, Edith Rimmington (1902-1986). 🎁
'‘My hope is that the viewer will have an urge to reach out and stroke the surface of the painting, or imagine what it might be like to exist within the work’'
A super profile by @RachelAshenden on @Brookfield_Nell's fantastically strange & evocative works on @LucyWriters today
Rachel Ashenden (@RachelAshenden) talks to artist Nell Brookfield (@Brookfield_Nell) about how her evocative paintings’ capture the strange in the quotidian and unleash the animalistic in the human.
https://t.co/W2ovY3IlN6
In 'Your Retreating Shadow', Rochelle Roberts’ (@rochellerart ) speaker moves back and forth through the porous gateway of memory in an uncanny debut that's full of magic and memory, writes @Jennifer_Brough. Read the full review here:
https://t.co/yqxJ1R642b
Just love Celia Paul's description of Gwen John's 'La Chambre sur la Cour':
"a dark coat [...] flows over her knees and gives her a sort of tail when it reaches the floor, as if she is a mermaid and wants to lure some lost sailor to her peaceful abode."
Aw, years ago I was reading Maggie Nelson's 'The Argonauts' on the train from Edi to LDN and someone next to me pulled out the same book from their bag. We ended up not reading at all and chatted throughout the journey (in the quiet carriage, whoops). It was quite lovely.
I so want to tell the girl on the next seat pair on the train who’s reading autobiography of red that I love that book. But it’s just impossible. You can’t start with ‘hi, it’s ok, I’m a gay poet.’ The train hasn’t even left Paddington - unthinkable
'The Truth About Comets' by Dorothea Tanning (1945). 💫
Thinking about sirens in surrealism and rekindling undergrad research in some shape or form...Especially drawn to this gorgoeus image because of the snow in Edinburgh today.
Madeline of France’s portrait as a child is on show – the youngest ever depiction of her!
She became Queen of Scots in 1537 when she married James V at 16 years old. Upon arriving in Scotland, she only lived for 2 months, hence why she is sometimes known as the “Summer Queen”.
🪄Last chance to order before we rest up!
We will be closing orders this Friday (9 Dec) for the festive break.
We'll still be on social media, but we'll be back in 2024 with some exciting plans for the future of The Debutante. Issue 04 is on our agenda. 🌟
Itching to write about Carolee Schneemann's intimate and engrossing Life Books but have also realised that this would require a trip to her archives in LA and New York. What. A. Shame.