I am now officially also set up on The Good Place, sorry…. blue place!
Add me plz I have no friends
@rachelcauser.bsky.social
Also @me on insta @rachel_causer 🥲
Congratulations to Rachel Causer who will be participating in the Dancing Ledge Productions’ Screenwriting Mentorship Scheme!! @DancingLedgeUK@RachelCauser
🎬 Thrilled to announce this year’s @DancingLedgeUK Screenwriting Mentorship Scheme! Featuring incredible mentors like Danny Brocklehurst, Tom Edge, and Maya Sondhi, this scheme supports emerging voices in TV drama.
https://t.co/sWjcgpUnCz
Entries for the 2025 @Channel4@Channel4Skills CHANNEL 4 SCREENWRITING COURSE are now OPEN. NB The entry period is 12 days only - don't miss out. https://t.co/iGvdL3tY4M
A lot here but I promise it’s worth reading it all. The team have pulled together an offer that both supports playwrights individually & looks to foster engagement between us. Like a first draft, some of it will soar, some might not - either way, it’s just the start. Come join x
So sad. This was such a vital platform for artists to take creative risks rather than huge financial ones and to just bravely put their stuff out there. Feels like losing a big puzzle piece of the industry.
It is with immense sadness that we announce the closure of VAULT Festival and the cancellation of plans for our new London home, after failing to secure the funding required to continue. 🧵 1/8
The thing that makes this so great is that it isn't that they didn't put in any effort, but that they put in the exact funniest amount of effort possible.
Hiii theatre companies, schools, clubs, community groups. We're downsizing our office library and we want to upsize yours 📚
If you’d like a small box containing a selection of Paines Plough plays, please fill out this form (you just need to pay postage): https://t.co/AlPVVTTX3H
APNews: Arts Council England (@ace_national) has updated its policies, warning that "political statements" made by individuals linked to an organisation can cause "reputational risk", breaching funding agreements (1/5)
The pleasant surprise of #OneDay were the perfectly pitched secondary relationships. Mum & dad broke me. Ian & Sylvie (the compassionate exes) also shone through. Ep 5 (Anna Jordan) was totally sublime. This show is more than the story of two friends turned lovers. This is life.
Watching Luke Combs sing beside Tracy Chapman with such obvious reverence makes the difference between appropriation and appreciation crystal clear.
When someone engages source material in a spirit of love, it shows.
Count all the ways he centers her, not himself 👇🏾