Paul Rogers only cut one film before. He edited this on Premiere Pro in his living room during the pandemic. It feels like a shift – between Paul, the Daniels, and the kind of stories they’re telling, a new generation of filmmaker has arrived at the Oscars.
Go see it! Got to see an early pre-screening at my school last night following a story + Q&A from director Parker Finn. Inspiring story of how it got a theatrical release and it’s a fun, good, and thrilling horror film. I enjoyed it.