🎹 A late '60s jazz-soul burner from the Peddlers, "On a Clear Day You Can See Forever" is notable for its dramatic organ‑driven arrangement. #jazz#soul 🦉
https://t.co/fp6FI4n8q5
1968's “Albatross” directly inspired the Beatles’ “Sun King” on the Abbey Road LP, mimicking its dreamy, tropical guitar atmosphere. Peter Green wanted the guitars to feel like waves, and Mick Fleetwood literally used timpani mallets on the drums. 🦉
https://t.co/5dvMQXUg6A
🦉 Carolyn Hester's importance outweighs the amount of attention she tends to get. A foundational figure of early ’60s folk revival with a deep love of traditional material, and a career that quietly shaped the trajectory of American folk music 🎶 🐦
https://t.co/sGAbG0zcmb
🦉 Between pseudonyms, rewrites, multiple bands, and studio musicians, the story of Rupert’s People is one of the most tangled in British pop‑psych history. "Reflections Of Charles Brown" (1967) #soul#rock
https://t.co/nVqLuvuXTe
1967's “The Hunter Gets Captured by the Game”, recorded by the Marvelettes. This record feels like it slipped out of time somehow, cool and sly and devastating. It’s the group at their most emotionally poised. #classic#radio#united#soul
https://t.co/GJD4c2IlPl
🦉 Originally a 1966 instrumental, guitarist James Cobb and producer Buddy Buie wrote new lyrics in 1967, turning the instrumental into a romantic, slightly mysterious #soul#pop tune. Classics IV "Spooky"
https://t.co/nrLPk9YiqW
Rest in Peace Clive Davis. 🫡 Seen here signing Donovan in 1966. A quiet architect of possibility, Davis had a gift for hearing the soul in a voice and spent his life lifting songbirds into the sky. 🕊️
The Indie Music scene is experiencing a massive wave of returns and new releases for 2026. This year's slate of albums and tours offers an exceptional soundtrack. #indie#comeback
https://t.co/jWNgXdaJ4U
🎙️#BandCampFriday: She’s become a beacon in roots music, not just for her sound, but for the way she frames joy as resistance. Multi‑instrumentalist and songwriter #AllisonRussell is a survivor‑poet "In the Hour of Chaos" #newmusic#pop#jazz 🎶
https://t.co/ydOaH67942
🫶 The April performance of “Poison” in #Sheffield, shows how #BertJansch🕊️ could make a single guitar feel like an entire arrangement, and to capture his late‑career renaissance. #Pentangle#Folkbaroque 🏴 #folk 🎸🎧
📺 https://t.co/08ThBFFWAb
🎙️#BandCampFriday: For a band like #Cardinals; young, literary, ambitious 🎸 🇮🇪 this track is a mission statement. “She Makes Me Real” is the opening track to their debut album 'Masquerade' #indierock ☘️
https://t.co/Updyz5JDjY
🎙️ #BandCampFriday: #MadelineGoldstein at her most fevered. A clean production with a trembling undercurrent. Song “My Own Design” has the feels of Berlin, Eurythmics, and Til Tuesday, but with a distinctly modern unease #newmusic#synthpop#newwave 🎧
https://t.co/NeaI6BqhlU
🎶#Newmusic weekly: "False Start" is part of her 2026 album 'A Sign in the Weather' 🎧 Bella White co‑produced the track with Ross Farbe, showing how hands‑on she is with her sound #Americana#indiefolk#bluegrass#BellaWhite
🍎 https://t.co/MSsZZwLRj1