With Uncharted coming back soon, Naughty Dog will remind the entire industry who the kings of insane set pieces and cinematic action are. 10 years later no open world or linear game has come close to Uncharted 4. Still the benchmark, still unmatched.
When Israel bombed Al-Shifa Hospital, so many were making excuses saying, "Israel would never bomb a hospital"
Israel has since damaged or destroyed at least 94% of hosplitals in Gaza, 98% of schools & over 80% of civilian infrastructure.
It's a Genocide!
The accusation that I am antisemitic is appalling and fundamentally dishonest. Criticizing the actions of the Israeli prime minister, a military technology contract, or the executives who supply it is not the same as criticizing Jewish people. This critical and necessary dialogue is then dishonestly framed as being anti-Israel. To be clear, my views come from my own political convictions and should never be interpreted as hostility toward Jewish people, for whom I have deep love and respect. Everything I know about acting, activism, and humanism has been profoundly shaped by the Jewish friends, colleagues, and loved ones who have been integral and family throughout every point of my life.
This merger has real consequences for real people, and for the entire country. Scrutinizing the Ellisons, including Oracle’s business built on data, surveillance technology and government contracts, and the serious threat to editorial freedom and the loss of a livelihood for thousands of families, is fair and necessary. The $111 billion deal would hand one family control over CNN, HBO and Warner Bros., backed in part by foreign money whose influence on editorial decisions has never been fully explained to the public.
Lawmakers on both sides of the aisle have called for serious national security review, and regulators still haven’t given the public a real answer. Until they do, the merger shouldn’t move forward. Now is the time to dive boldly into all these issues, not step back or concede.
“Separate Ways (Worlds Apart)” is the lead single from Journey’s 1983 album Frontiers. Written by Steve Perry and Jonathan Cain, the track became one of the band's biggest hits, reaching #8 on the Billboard Hot 100 and spending four weeks at #1 on the Billboard Top Tracks chart.
Its music video, directed by Tom Buckholtz and filmed at the Louisa Street Wharf in New Orleans, is notoriously remembered as one of the most delightfully cheesy videos of the MTV era. The band performs the song on the waterfront while famously pretending to play invisible instruments, including Jonathan Cain's unforgettable “air keyboard.” The deliberately awkward performance style has since turned the video into a beloved cult classic, even though the song itself remains one of Journey's most enduring rock anthems.
The most underrated part about seeing a film in IMAX is that most of the people in that theater don’t F around. These are movie fans. Nobody is chatting. No phones. No BS. Maybe that’s movie elitist. Don’t care. IMAX movie going experience rocks.