RamenJoy ⊙⊝⊜

⊙⊝⊜. OT7. BTS only. in my 40s. 2017 ARMY. Borahae and I love my dog 🥰. observer only - I don’t reply to things.

[tan into the sun⁷ @taesl0ver]

hobi and his close friend snakeu reunited at the lv pfw 💔

[RamenJoy ⊙⊝⊜ @RamenJoy7]

@gucci_vcut_ You can send me a DM on twt

[RamenJoy ⊙⊝⊜ @RamenJoy7]

@gucci_vcut_ It’s hard for me to make a recommendation online of course without knowing your history, meds, etc. so that’s just the overview.

[RamenJoy ⊙⊝⊜ @RamenJoy7]

@gucci_vcut_ PCP here 🙋🏻‍♀️. It’s pretty deficient. If you are otherwise healthy and you don’t have medical issues that could be contributing or causing such deficiency that would need further work up, then they’ll likely just prescribe a high dosage of vitamin d weekly for 4-8 wks, and recheck

[RamenJoy ⊙⊝⊜ @RamenJoy7]

@Seoul_OT7 @875tickets I’ve been scammed twice. Lost lots of money. I’m afraid now.

[ユンギさんと必ずまた会うわいさん @myhakidame_oeee]

おじさんしか抱いてないミンユンギありがとう

[HYBE Charts @HYBE_Chart]

<ARIRANG> by @bts_bighit has achieved the biggest US vinyl debut in Nielsen history with 208,000 !

[star_jin @nightstar1201]

[NBS] 260611 I Am a Farmer
👨He is Jin's uncle.
🎥The world star Jin?!
🧑‍🌾He said our strawberries were delicious.
🎥Who did?
🧑‍🌾Jin!
🎥Has he been here?
🧑‍🌾Not this year. He came last year. In the past, celebrities had more privacy in their personal lives, but these days they're affiliated with companies, so there are many things their companies prohibit. They can't do any personal advertising or sponsorships at all. Even taking photos with family members is restricted. Our family close with Jin. He used to come to our home often. These days he's so busy that he can't even visit once a year. He still comes by often, though.
🎥Please say a word to your nephew.
🧑‍🌾Jin, it's tough, isn't it? Stay strong. Fighting!
#JIN #방탄소년단진

[Jimin Global @JiminGlobal]

Sean Evans shared one of his favorite BTS stories from filming Hot Ones, recalling Jimin enthusiastically cheering everyone on with “C’mon, wing! Let’s go, wing!”

He said that despite the language barrier, that moment brought everyone together and made them feel connected through the spicy wing challenge.

[RamenJoy ⊙⊝⊜ @RamenJoy7]

@nicolegotnojams @SportsFanRaging Happy birthday Nicole!! Hope it’s a special day for youn

[Yoong⟬⟭na⊙⊝⊜🎀🐱⁷ @Yoonginapuppy2]

🟣🟥 ARMY, attention! Important!!! 🚨
HYBE has submitted BTS: The Comeback Live | Arirang on Netflix for Emmy consideration! Here's how ARMY can help!
⚠️ This is NOT a nomination yet. The special has been submitted for consideration in both major and technical categories, including Outstanding Variety Special (Live), Editing, Lighting Design, Costumes, and more.
- What does "For Your Consideration" (FYC) mean?
A FYC campaign is a marketing and public relations effort specifically aimed at members of the Television Academy (the Emmy voters).
When HYBE and Done+Dusted release a poster like this, they are formally notifying industry voters:
🔷"We have submitted this project for consideration. Please watch it and consider voting for it in the listed categories."

📅 What happens next?
The Emmy voting process follows a traditional schedule, with the first major stage being the Nominations Round.
During this phase, Academy members watch submitted productions through the official voting platform and vote online for their favorites in each category. This is where FYC campaigns matter the most.
💜 What can ARMY do to help BTS receive a nomination?
1️⃣ Fans do NOT vote for the Emmys: Our role is to generate prestige, visibility, cultural relevance, and buzz so that Academy voters become curious and choose to watch the special on the Academy's exclusive screening platform.
2️⃣ Most of BTS: The Comeback Live | Arirang's submissions are in technical categories: These include Outstanding Lighting Design, Outstanding Sound Mixing, Outstanding Costumes, and other production-focused awards. Instead of only posting "I love BTS," create content highlighting the quality of the production itself.

Examples:
• Detailed X/Twitter threads
• TikTok analysis videos
• Editing breakdowns
• Lighting and stage design appreciation posts
• Costume and production discussions

3️⃣ Amplify official FYC materials: Share the official FYC poster and any materials released by HYBE, Netflix, or the production team.
Use industry-related hashtags such as:
#Emmys
#Emmys2026
#FYC
#BTSTheComebackLive
#Netflix
This helps place the project in searches followed by journalists, awards analysts, and TV industry professionals.
4️⃣ Engage with Hollywood trade publications intelligently and respectfully.
Interact with articles from major industry outlets such as:
• Variety
• The Hollywood Reporter
• Deadline
• Gold Derby
Thoughtful engagement helps increase visibility among people who closely follow awards conversations.

Let's show the industry why this production deserves attention! 💜

[jeonifyme⁷ ⊙⊝⊜ @VPatrya]

@machimi2003 @ameviil we can search it on any social media, i found those on Instagram. But remember to approach them politely and positively

[BTS Charts News @btschartsxdaily]

#RM Appointed Global Ambassador for the National Museum of Korea! 🇰🇷👏

RM expressed his delight at being appointed as an ambassador and stated that he would work together to ensure the beauty and value of our cultural heritage are conveyed to more people.

Yoo Hong-jun said that it is meaningful to be able to share the beauty of Korean cultural heritage with the world together with RM, and expressed his expectation that RM will play a major role in establishing the National Museum of Korea as a museum loved by people around the world.

CONGRATULATION RM
CONGRATULATIONS NAMJOON
SO PROUD OF YOU NAMJOON 💜👏

[Faith⁷ | 🐨🦔🌳🍃📚🚲 @postcode_613]

As they age, they shed their baby fat

[Gabs⁷ 🌊 ☁️ @_GabsVersion]

> beyonce ganha pelo cowboy carter
> grammy cria uma categoria separando o country "tradicional" do country "contemporâeno"
> bad bunny ganha
> grammy cria categoria "melhor musica latina"
> bts comeback
> grammy ja cria uma categoria pra artista asiático

só não vê quem não quer

[r⁷ ⊙⊝⊜ (listening to arirang) @epipeny]

Regarding the different reactions from iarmys and karmys towards crowd control on 0612:

As a starting point, in South Korea and cities around the world, both venues AND organizers share responsibility for event safety. This is the position in korean legislation and is also the prevailing norm in many countries. However, the allocation of this shared responsibility differs.

- In South Korea, it is the organizer/promoter who takes charge of event safety and crowd control. There is a general expectation that venues are facility providers who provide support and do not “take control of” crowd management. South Korea operates under a “beneficiary pays” system (where the promoter profiting from the event is expected to oversee contractors and vendors).

However, in many other countries, responsibility for security and logistics is split differently between the organizer/promoter and the venue itself.

- For example, in Japan (Tokyo Dome), VENUES take primary operational responsibility for security screening and internal crowd flow.

- In Mexico (Estadio GNP Seguros), it is the VENUE that leads internal operations.

- In Australia, stadiums have full time staff and VENUES take the lead on hiring third-party security vendors. Fans would blame the VENUE for failures.

- In Singapore and Hong Kong, both regard their stadiums as state-level assets, where the government maintains strict operational involvement through state-linked operators or private contractors hired by the state. The stadium is not a passive landlord, and they would get blamed for fuck ups.

- In the UK, following the 2017 Manchester Arena terrorist attacks, new legislation places stringent requirements on both venues and organizers. Venues are not passive players when it comes to safety control.

>> By contrast, while venues in South Korea still share legal responsibility with organizers, the degree of their involvement is much lower, and venues generally do not take charge of crowd control. It is the local organizer that steers the operation.

There’s also another aspect to the misunderstanding lol.

In an international context, fans would not hold a foreign artist’s agency responsible for crowd control issues in a stadium.

- When Astro World crowd crush happened in the US, people primarily sued Live Nation AND the venue (NRG Parks) AND their security vendors (CSC). Not the artist’s agency.

If an incident were to occur at a kpop concert in the US, people would primarily hold Live Nation and the venue accountable - not the foreign agency.

The same logic applies in reverse: in Korea, if a foreign artist has crowd control issues, it will also be the LOCAL organizer/promoter that gets attacked.

For BTS concerts in Korea, there is no local Live Nation layer. Where there is no local Live Nation layer, the organizer (HYBE) remains the entity responsible. As a reminder, HYBE isn’t just a label, it a conglomerate that promotes itself as the artist’s agency, the local tour organizer, and tour promoter.

If HYBE engages third-party contractors (ie. dream with us), when things go wrong, they are responsible for the failures of their contractors.

I attach some pictures of my experience in Jamsil Olympic Stadium in 2019. You can see that Dream With Us was the entity that BIGHIT contracted with in 2019. They are also the vendors for Goyang and Busan in 2026. I do not know why standards have fallen so much, but HYBE needs to either audit this company or drop them.

I hope this explains to both sides that opposing reactions are not irrational. Let’s stop fighting and understand each other a bit more.

[ₑ𝚌𝓱ₒ♪⭑. ִֶָ⁷. @92sirenmoon]

EMERGENCY MEETING AT HYBE BULIDING

[ItsSTILLSummer @Damirror91]

I had to bring this to twitter because omg ?? Did yall know this

[THV🎄 @Taehyungimpact]

Blue’s clues (2026)