Looking back at ‘The Fireman’ by Dylan Russell. A horror about a priest visiting a dying man who holds a secret from his past he must get off his chest before he dies.
Performed by @CalumPhilp and Lee Ian Moffat and directed by @Rebecca1Russell, with dramaturgy by @LintonZhang
#TheRottingHart is coming to London!
Crested Fools is taking our wee #queerhorror to the @KingsHeadThtr as part of their 'A Queer Interrogation' season. Expect the usual #gaycarnage.
Friday 21st April at 7PM
Sunday 23rd April at 8PM
Tix through https://t.co/6BvvPBTrGJ
🐺🖤🦌
Drumroll please... announcing the directors for our upcoming scratch night! We can't wait to see what they do🎭
Check out all the scripts in our exciting line-up and get your tickets now via the link below!
Tickets are on sale for our next event! Another fun and informal night of new theatre performances created through collaborations by emerging artists.
📆 13 April at The Griffin Glasgow
🎟️ Our January event sold out in advance - get your ticket now at https://t.co/xIouJS8b5Z
As someone who works with artists on Arts Council England bids, it can feel like the only funding resource available. I want to make a list of all other types of alternative funding for independent, grass roots artists. Who wants in? Who knows stuff? Let’s share our knowledge!
SOLT & UK Theatre today announces a Theatre Artists Fund to assist individuals in need of emergency financial support. The fund has been established with a £500k donation from Netflix and is spearheaded by director Sam Mendes. Click here to find out more: https://t.co/0z9Shgj5Rt
Had a lovely time working with this fab cast on @AimeeGBuchanan1’s great script for @Jennifer_Galt’s Opening Shop programme! It was nice to get some creative work in during lockdown ❤️✨
I’m one of the artistic team. This week I was told I’ll likely be made redundant. I asked what the prospects were for me being rehired in any capacity further down the line. The response was that any new hires would be unlikely, possibly for up to two years. 1/?
While obviously in person workshops and classes are way better, I kind of hope that some theatre places continue to do some online education after this because it really opens up opportunities for those outside of London/major cities
Idk if anyone else needs to hear this but I do so: I know we need to make the economic arguments for the arts right now, but just also hold onto the fact that art is good and fundamental and helps us feel the same things and make sense of the same things, and it needs to exist.