@LoganSnare “Okay. I gotta go talk to you later.” (C) Starts to hang up the phone. “(inaudible)” (CCCC) and “Sure okay have a good night.” (C) Hangs up phone.
Mock Phone Call:
“And he’s just after a (censored) right now i wonder what it’s gonna be like when he’s going for the real thing.”
“I hope to god you don’t (censored) him” (CCCC)
@LoganSnare “I ‘hope you don’t (censored) with him’ that’s you.” (M-C does impression) and “Thinking that a woman is only good for marriage and babies” (C) (switches phone from one ear to the other) “and the latter ‘that’s just another way of not taking women seriously in the workplace.” (M)
"Backrooms" director Kane Parsons says that using AI "defeats the purpose" of filmmaking:
“If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
https://t.co/WKsSfn6614
I would really like to see the corporation at the end of Backrooms explored more in the confirmed upcoming sequel. I think Mark Duplass’ character has a lot of potential as well… #Backrooms#filmtwt
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@LoganSnare Also, the nightmare:
The mother wakes up from the dream and walks down the stair case downstairs. The light is sleety.
The father isn’t asleep. He is awake and seated alone in his office, renumerating action in the same gestalt as a gif or the road from sleepy hollow.
@LoganSnare The nightmare:
“You know I love you?” (The infant looks up) “You know I would never do anything to hurt you right?”
(whispers) “You can do it sweetie” and the screaming awake dream “XXX” the mother wakes up into her bedroom in the dark cold blue light from the full moon at 3AM