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サイエンスSARU制作
新作TVアニメーション
『攻殻機動隊 THE GHOST IN THE SHELL』
🚨メインスタッフ情報公開🚨
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━━━━━━ 2026年放送 ━━━━━━
●原作:士郎正宗「攻殻機動隊」(講談社 KC デラックス刊)
●監督:モコちゃん
●シリーズ構成・脚本:円城塔
●キャラクターデザイン・総作画監督:半田修平
●アニメーション制作:サイエンスSARU
Teaser Visual 02 Illustration:半田修平
最新情報は今後も順次公開予定!
ぜひご期待ください✨
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Science SARU presents
TV Animation
“THE GHOST IN THE SHELL”
🚨 Main Staff Information Revealed 🚨
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━━━━ Scheduled for 2026 ━━━━
Based on the manga “The Ghost in the Shell” by Shirow Masamune originally serialized in YOUNGMAGAZINE published by KODANSHA Ltd.
●Director: Mokochan
●Script: EnJoe Toh
●Character Design and Executive Animation Director: Shuhei Handa
●Animation Production: Science SARU
Teaser Visual 02 Illustration:Shuhei Handa
Latest updates will be released gradually.
Stay tuned! ✨
#攻殻機動隊 #theghostintheshell
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Nobuo Uematsu thinks movie like video game music is uninteresting and that if games keep on using Hollywood movie-style scores, then game music "cannot develop further”
He says that these days there are many people that want to become game composers and studying game music and that is good, but wonders "then why isn't any interesting game music being created?"
"I think maybe there needs to be more freedom.
I don't think its the composers, I think the problem might be that directors and producers are satisfied with movie soundtrack-like music in games. A lot of the time, whatever you listen to sounds like a Hollywood movie score. If it's like that then the genre of game music cannot develop further...
Game music will become more interesting if composers consider ‘what is something only I can do?’ and use their own knowledge and experience to be truly creative"
He says directors and producers need to entrust composers more and encourage them to try what they want to do and to try interesting things.
https://t.co/aJ2GEh3UbZ