Decomposition Instead of Collapse: Seven Years Later, Rescripted Ends
https://t.co/d84H3N8Icu
“All of my ancestors – whether living, dead, or artistic – have had to create the conditions for their work…” - Regina Victor, Founder & Editor-In-Chief at Rescripted.
#gratitude
August Wilson’s ‘Joe Turner’s Come and Gone’ is now playing, and recently extended at The Goodman Theatre! Read Regina Victor’s review on Rescripted:
https://t.co/TKU416GDjn
@SheriFlanders Rescripted exists to tell the truth in the face of critical ignorance.
Reporting a fact is usually perceived as drama by the people sharing outright lies, and your rather violent reaction tells me I was probably right to point it out.
See you at the next opening night! :)
@SheriFlanders Palestine was central to Baldwin’s view on America.
“The Zionists—as distinguished from the people known as Jews—using, as someone put it, the “available political machinery,’’ i.e., colonialism..” - James Baldwin, An Open Letter To The Born Again, 1979
https://t.co/WsJ4x2IR9H
"‘The Mothers’ at The Gift Theatre is a Dystopian Sendup of Mommy Influencer Culture"
Read more at: https://t.co/dBJuLKMfN8
"The Mothers, now playing at The Gift Theatre, is a satirical knife... resulting in an eviscerating theatrical experience." - by Kristin Idaszak
'Antigone' at Court Theatre is a Feast for Theatre Lovers
READ: https://t.co/b2vJtlaPCK
"Gabrielle Randle is an artist of exquisite taste, who has... created one of the most aesthetically intriguing pieces I’ve seen in a good while." - Founder & Editor-In-Chief Regina Victor
READ: A Love Letter to the Rain Scene in Paula Vogel’s Indecent by Madie Doppelt
Read more here: https://t.co/BifxYhnddv
Photo by Justin Barbin at Northwestern University’s Virginia Wadsworth Wirtz Center for the Performing Arts.
#indecent#paulavogel#pride🌈
READ: Editor's Note
This piece clarifies some of Rescripted’s publishing practices and has information on how to pitch us. For our newer readers, this is an introduction to our work.
Read more here: https://t.co/8Xof6vhPFJ
#chicagoessays#editorsnote#letterfromtheeditor
Read: Parts One and Two of a testimonial piece by Chicago Theatre community member Robin Minkens about the prejudice and pain she experienced working at Trap Door Theatre.
https://t.co/7Jl3PXVMos
https://t.co/B0ufd7BsPQ
New Review by Madie Doppelt: ‘Motherhouse’ at Rivendell Explores the Complicated Faces of Grief
Visit https://t.co/KVF5LzByDf to read the review!
#chicagoplays#ChiTheatre#chicagotheatre
On May 5th, 2023 Nataki Garrett announced her resignation as Artistic Director of Oregon Shakespeare Festival.
Artist response by Regina Victor, Editor-In-Chief of Rescripted, & artistic leader who worked at the festival as a dramaturg last year.
Read: https://t.co/rpjHqqMktO
On March 3rd, 2023, Rescripted Editor-In-Chief Regina Victor delivered a keynote address to open the American Stage Lift Every Voice New Play Festival. Read the speech in its entirety now, on Rescripted.
https://t.co/maABDwVcoa
OPINION: @playbill Article Opens Conversation About Danger, Safety and Standards for Broadway, So Why Aren’t We Talking About That?
“The focus needs to be put back on the people that matter.” - Regina Victor, Editor-In-Chief
READ: https://t.co/T74AoHXZTR
REVIEW: ‘The Great Khan’ Muddles the Past, Present and Plot
"Jayden’s character hinges on the trauma and talents of the young women around him.”- Sierra Carlson
https://t.co/X8N09Vf7p4