@jforozcop Thanks for sharing, such a great short. I was invested until the end. Great beats and surprises. The little boy jumping in made me gasp out loud! excellent!
I've storyboarded on some big films.
There's no "sanctity of the art" on a film. Infact most of your drawings end up in the trash. They are entirely disposable pieces of working media designed to communicate an idea.
The art is in sequence design, not drawing. You ABSOLUTELY want to streamline this process. You want to empower sequence designers with the simplest and fastest method of keeping characters on model, and iterating ideas. You want to empower storytellers, not just "good drawers".
The fact that people who can "draw good" are the only ones let into the room that defines the cultural narrative of humanity is a grave injustice. The stories that need to be told aren't only the stories of those with a mastery of drawing. Everyone's story deserves to have the opportunity to be told.
Storyboarding isn't primarily art, but language. And language belongs to everyone.
For reference, here's one of Scorcese's own boards. No one could accuse it of being art, yet it served as a functional blueprint for what would become a great film.
AI allows more filmmakers to work faster, iterate more quickly and communicate to collaborators at a higher fidelity.
Seeing Martin Scorsese using FLUX for storyboarding and scene exploration was absolutely insane. Experiencing how one of the absolute masters of cinema & filmmaking uses the technology that we developed, his curiosity and creativity, and the way he prompted our models, was humbling.
I am grateful to call Martin Scorsese an advisor to BFL, and to explore the next, multimodal and interactive phases of visual AI with him.
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@JeandreGerber@taherdhanera I'm actually curious if del Toro has tried any of these tools and then formed his opinion. I'm guessing that he hasn't tried anything and he's just making his opinion based on what he hears and sees (headlines), not what he's tried.