A benefit of my @CDPConnect PhD was being involved in @TateResearch. For the opening of the @Tate Britain re-hang, I was invited to write revised online text on George Morland (one of my thesis case studies) 👇🏻🧵1/3
#ArtforAction is aiming to inspire action for the SDGs by highlighting best practices from changemakers from all levels of the art sector who are taking the lead in using the transformative power of art to shift the world onto a just, inclusive, resilient, and sustainable path.
100% this.
You cannot even begin to grasp the beauty of many Western works of art if you have no grasp of the Bible. Reading scripture doesn't have to be a commitment to faith.
🎉👏🏻 This what I’ve been working on for the last 4 months! Let’s unite the global visual art sector with the Art Charter for Climate Action. Register your interest here: https://t.co/yHwqUYL5Sd
📌 Applications to the 2024 Brooks International Fellowship Programme are now open! In partnership with @delfinafdn, we are offering three six-month fellowships for researchers in the following Tate teams:
Olafur and Yuko Hasegawa speak about sustainability and their collaboration for the exhibition 'Sometimes the river is the bridge' as part of #CircularMuseum with @MuseumModernArt and @art2030org
https://t.co/GGfkXhgEQC
A benefit of my @CDPConnect PhD was being involved in @TateResearch. For the opening of the @Tate Britain re-hang, I was invited to write revised online text on George Morland (one of my thesis case studies) 👇🏻🧵1/3
Representing and Implementing Alternative Futures
with Josh Kline & Johanna Burton
July 5th 18:00-19:30 CET / 12:00-1:30 pm ET
Register here: https://t.co/yniSrrbiNC
📷 Alex Welsh, Courtesy of Johanna Burton / Copyright and courtesy of Josh Kline.
Supported by #AugustinusFonden
Delighted to announce the re-discovery of a Constable oil study that I have been working on alongside colleagues for about a decade! On view at Sothebys preview of the Old Master sale on 5th July @Sothebys@JohnConstableRA@MsConstable#landscape
https://t.co/8r6YtaXUsi