IT'S CRASHprez WEEK OVER AT @RapPortraits!
part one's about doing music + journalism at the same damn time, and why i left media to truly do me.
love to my brothers @Yoh31 + @vacayvacayvacay for puttin' me in the viewfinder, WE BACK! #invoiceboyz
Flags On Saturn, with myself, @akilpratt, and OZU8LACK.
Out now.
I pray you enjoy the music, and share it with someone if you did.
https://t.co/wI4B79y9fj
if anyone has wireless rock band drums (would love to find one with the three cymbal expansion) for xbox I'd be interested in buying them... my daughters have been playing with just guitars/mic and been having a blast
someone asked who does my hair today, shit made me wanna cry cuz Gabby started my dreads n we'd always watch the most random shit we could find when she'd redo em. We always talked about her being in one of my music videos too and I wanted a shot of her doing my hair as I rapped
Moulz & Mel don't see eye to eye on Ghostface Killah's "Black Jesus". Or the period between Christmas and New Year's Day. Or proper etiquette in small businesses. But at least they agree that Gorton's seafood is bad.
Listen: https://t.co/8pPPPNQBxr
Ghostface Killah's "Camay" sends Moulz & Mel down the tangent hole yet again, touching on everything from the birth of digital music marketplaces, to turkey bacon, to showering in high school and much more.
Listen: https://t.co/7APuyQ8puO
Before guest @Cam_Is_Like weighed in on GZA's "7th Chamber" with Moulz & Mel, he first had to bring in a guest of his own to reprimand Mel for his crimes committed so far during the Wu-Tang season.
Full review of GZA's Liquid Swords available now: https://t.co/h5g9uYvpqd
Once things do, though? I think it's going to be a lot healthier for the product overall. Especially when people are debuted on the main roster on the same level they appeared in developmental so there isn't that disconnect we are seeing so often now.
They are going to shift focus and return to scouting world class athletes, special attractions and 2nd/3rd/4th generation competitors. With that comes at least 2-3 years of seasoning when you're training mostly green talent, so I predict a rough go at first before things click.
One of the biggest problems in the past few years is the lack of interfacing between the main roster and NXT. If your developmental brand is going to be televised, there needs to be some continuity with how these people are going to be presented when they are "called up".
In 2-3 years this will be looked back on as a good long-term decision. In the interim, that could mean 2-3 years of growing pains/bad TV. https://t.co/202U8o1DLB