@Cinepolis Las últimas 4 veces que he ido a la sala MacroXE en Patio Universidad, hay un zumbido horrible durante toda la película. No se calla y suena muy alto. Imposible disfrutar la película así. Me encanta la Macro. No se puede arreglar?
@AyudaCinepolis Hola, Fer. Sí. Pero qué crees? Siempre tenía la mala suerte de que, justo cuando entraban a la sala, la película se ponía ruidosa 😬 Pero te juro que se escucha mucho. En las escenas calmadas es muy molesto. Y particularmente esta sala y complejo, son mi consentidos.
@scottderrickson Roger's quote is completely out of context.
I do believe he was an amazing critic. Thanks to him, I got to discover many outstanding films, one of them being this gem:
@joerussotweets@davekale Same thing just happened to me with The Fall Guy... I was expecting to love it as much as everybody else, but I just felt that profound disappointment.
@joerussotweets@AKlay19 The CODA writing credits always reminded me of the FLUBBER ones: where John Huges shared a “screenplay by” with Bill Walsh (who wrote the first original film). Had the THE BÉLIER FAMILY been covered by the WGA, do you believe they would’ve shared the “screenplay” credit?
@joerussotweets@AKlay19 My only qualm here is that, being practically identical to the French version, the original writers should've also gotten an Oscar (I know that because of the WGA rules that was never going to happen).