Perfil para mayores de 18 años.
Somos pareja con gusto por el exhibicionismo en lugares públicos(ella bi, el hetero).
Base #blizz
Comentarios vulgares bloqueo.
Una de las canciones más motivadoras del cine, nació porque Queen no cedió los derechos del tema que quería Sylvester Stallone para Ricky III (Another One Bites the Dust).
Se trata de Eye of the Tiger, de Survivor, que la hizo adaptándola a los mementos de las escenas. Tremenda
Gustavo Dudamel puso fin a 17 años al frente de la Filarmónica de Los Ángeles con un concierto en el Hollywood Bowl con una aparición especial de Chris Martin. “Viva la vida” para ayudar a los damnificados
de los terremotos en 🇻🇪
📹 @ColdplayUK_
President Trump just ordered U.S. flags lowered to half-staff nationwide for a full week in honor of Dolly Parton.
That is extremely special. Presidential half-staff orders are almost always reserved for presidents, vice presidents, justices, members of Congress, governors, or major national tragedies. Pure entertainers and cultural icons almost never get a nationwide presidential directive like this!
Whitney Houston only got state-level recognition in New Jersey, and even Elvis didn’t receive a formal federal order of this scope.
A weeklong national tribute for the Queen of Country is genuinely rare. It underscores just how deeply her music, philanthropy, and larger-than-life presence cut across America.
Dolly was pure light sent from heaven. My mentor is gone. My songwriting teacher and hero of grace and humility. There is a hole in my heart but the joy of just the thought of her smile will continue to fill me with inspiration for as long as I live. I will cherish this moment performing Coat Of Many Colors with Dolly forever. Goodbye Dolly. Rest in peace, beautiful angel.
The Night Legends Left Their Egos at the Door
On the night of January 28, 1985, at A&M Studios in Los Angeles, a handwritten sign was placed outside the recording studio: “Check your ego at the door.”
No one could have known that those few simple words would become the opening line to one of the most memorable moments in music history.
Walking through that door were artists who could fill virtually any stage on their own: Michael Jackson, Stevie Wonder, Tina Turner, Bruce Springsteen, Bob Dylan, Diana Ross, Ray Charles, and dozens of other leading names. They were accustomed to spotlights, roaring crowds, and being the center of attention. But that night, there was no single star.
No red carpet. No private stage. No distance between the legends.
They stood side by side, wearing headphones, holding sheets of lyrics, and waiting for their turn. These were artists who were used to thousands of people listening to them. Now, they had to listen to one another.
Perhaps that was the most remarkable thing about that recording session.
When Fame Knows How to Step Aside
We Are the World was created during a devastating famine in Ethiopia, with the goal of raising money for humanitarian relief. Every artist involved had already achieved success and earned a place in music history. They did not need another hit to prove who they were.
But they had something else they could give: their voices and their influence.
Watching the behind-the-scenes footage, it is easy to forget that these were artists who had once commanded the attention of the entire world. Bob Dylan worked through his harmony parts. Cindy Lauper had to adjust jewelry that could make unwanted noise. Tina Turner patiently waited for her part. Everyone rehearsed, listened, and worked together to make the song sound like one collective voice.
No one needed to stand out above everyone else.
Because when the purpose is big enough, individual fame naturally becomes smaller.
That may be the deepest beauty of We Are the World: people who had so much to hold on to chose to use what they had to give something away.
When Music Becomes Something Greater Than Itself
Nearly four decades have passed. Many of the artists in that room have since died, while those who remain have traveled through most of their lives. Yet the old footage can still make people stop and watch.
Not simply because it brings back memories of a golden era of music.
But because it reminds us that talent means the most when it is used for something larger than the person who possesses it.
Perhaps the true strength of a person is not measured by how high they can rise to be admired by others, but by how willing they are to use their position to help someone else stand.
That is why We Are the World has never been just a song.
It is the memory of an extraordinary night when legends of music walked through the same door, left their egos behind, and raised their voices for people they might never meet.
And perhaps that is when music is at its most beautiful—when a microphone is no longer used to make one person shine, but becomes a voice for those who need to be heard.