If you’re a working class aspiring filmmaker please get involved with Leigh film. What they are doing is fantastic; giving the youth and the voiceless a platform to express them self is something I’m very proud we have in Wigan/ Leigh
I get a lump in my throat and a tear in my eye when I look back at the old videos. Over the past 7 years we’ve worked to create opportunities for young people and support local filmmakers. Check out today the videos on @LeighFilmFest
This one is my favourite says it all.
The worst part about film twitter is some fat smelly loser sat on Lumetri, thinking they’re a better colour gradist than the ones who’ve been doing it for 20+ years
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#TheOdyssey was made to be experienced in IMAX ⚔️ To celebrate this monumental release, we're giving away an IMAX Film Camera Popcorn Bucket! 🎥 To enter, just repost.
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To celebrate the release of Christopher Nolan's The Odyssey, in cinemas now, we have three official merch packs to give away. RT for a chance to win! [ad] 18+/ UK only/ T&Cs below.
New look at ‘RAY GUNN’, directed by Brad Bird (‘The Incredibles’)
The film follows a private inspector drawn into a case involving aliens & murder all in the alternate futuristic city Metropia.
(Source: @empiremagazine)
Some graphic novels are hard to put down, some are hard to carry up the interest but when @Ssnyder1835 writes, I am GLUED
Just started Absolute Batman vol. 2. Insane writer
We're giving away a FREE Batman Arkham Asylum LEGO set! 🦇
HOW TO ENTER:
• Follow @DCMultiverses
• Repost this post
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• Tag 1 friend per REPLY for extra entries
#LEGOBatmanGame#Batman
Christopher Nolan explains why THE ODYSSEY won’t portray the gods in a traditional way:
“I became more interested in the idea that to people in that period, evidence of gods was everywhere.”
“In Bronze Age Greece, thunder, rain, and the sun rising didn’t have scientific explanations—they represented the will of the immortals.”
“The wonderful thing about cinema, and IMAX in particular, is that you can take an audience to a place of immersion, feeling close to events like storms, turbulent seas, high winds. You want the audience to be on the boat with them fearing the ocean, fearing the wrath of Poseidon, the way the characters do. That to me is so much more powerful than any individual image you can have [of a god].”
(via @TIME)
Les oners de Spielberg.
Des changements de valeurs de plans organiques et un blocking imparable qui élèvent le jeu des tensions entre les personnages.
C'est tellement fluide que l'on voit presque pas que ces séquences n'ont pas de coupes.