Keanu Reeves has entered talks to star in James Wan’s reimagining of ‘The Gangster, The Cop, The Devil’ for Paramount.
He will star opposite Don Lee (aka Ma Dong-seok), who reprises his role from the original as crime boss Jang Dong-su.
Read more details here: https://t.co/7EABKKyEvY
EXCLU: After spending more then a decade directing MISSION: IMPOSSIBLE pics, Christopher McQuarrie has found his next project an another A lister to star in it as he and Denzel Washington are teaming on a new thriller at Amazon MGM https://t.co/j7YLn39ato
#CLAYFACE's final form in the movie is a perfect mixture of these designs, keeping the shape and face of the left design but the sheer mass/ size of the right design. Gave me very Resident Evil (2026) vibes.
I NEED to see this version of Clayface go up against the DCU's Batman
Zach Cregger on landing Jennifer Lawrence for his upcoming film ‘THE FLOOD’
“She is maybe one of my favourite actors alive… I mean, not maybe. She is. I am just completely amazed by her. I don’t even think she’d realised that I was trying to get a meeting with her because I wanted to offer her this movie. I felt like I had a limited window to shoot my shot. I did this kind of frantic pitch on a Zoom. I was like, ‘Here’s what the movie is.’ And then luckily, I think she was intrigued and read the script.”
🔗 https://t.co/7y2C93IbDO
Now that David Fincher's streaming handcuffs are off, he’s entering 2027 as Hollywood's most dangerous free agent.
This is the perfect opportunity for him to finally resurrect his modern remake of Hitchcock's Strangers on a Train.
Or, he could easily revive Bitterroot, his long-lost, brutal neo-Western thriller.
Trent Reznor & Atticus Ross to score and serve as producers on Jeremy Saulnier's 'Slayground' starring Cory Michael Smith, Chase Sui Wonders, Sophie Wilde, James Badge Dale & Stephen Root. https://t.co/wRa3CDbbUL
Les frères Coen aiment le cinéma français : Fernandel, Lino Ventura, mais surtout les films d’Alain Guiraudie ("L’Inconnu du lac", "Miséricorde").
Les cinéastes ont été récompensés pour leur œuvre par le prix Lumière à Lyon ce vendredi 16 octobre.
À cette occasion, les deux frères se sont confiés sur leur amour du cinéma français, de façon toujours aussi drôle et décalée que leurs films.
Benny Safdie's ‘LIZARD MUSIC’ will release on December 25, 2027 in theaters, starring Dwayne Johnson as Chicken Man.
The film follows a young boy who finds a secret late-night broadcast of lizards playing otherworldly music that opens a hidden door to the whimsical Chicken Man.
‘SUPERMAX’ starring Will Smith, AnnaSophia Robb, Jaafar Jackson and Nicholas Alexander Chavez has wrapped filming. 🎬
It follows two FBI agents (Smith & Robb) investigating an impossible murder inside a maximum-security prison.
EXCLU: Sony Lands Drew Pearce thriller PENTHOUSE that is being developed as a starring vehicle for Tom Holland who is on as a producer https://t.co/sURoaHAGRw
Gwyneth Paltrow is set to star in A24’s ‘The Apology,’ which has landed a two-season order at Netflix.
She will play Evelyn Amspoker, a mother whose son was murdered 18 years ago in a cold case that captivated the nation.
The series is directed by Thomas Vinterberg.
EXCLUSIVE: Fresh off directing ‘The Beekeeper 2’ for Miramax, Timo Tjahjanto has come aboard to direct ‘The Burnout’ for the studio, sources tell Deadline.
‘The Burnout’ is billed as ‘The Big Lebowski’ meets ‘Jason Bourne’ https://t.co/g9SmXQQJat
Focus Features announce that Robert Eggers next film titled “Salem” aims to begin production in January 2027 and is scheduled for release in May 2028.
Starring: Summer H. Howell, Ralph Ineson, Lupita Nyong’o, Sadie Sink and Sophia Lillis.
Source: @TeenaMZ_
Hunter Schafer says A24’s secret vampire movie is “batshit crazy” and might be her favorite thing she’s ever filmed.
'THE FIRST OMEN' director Arkasha Stevenson is behind the still-untitled horror film.
Details: [https://t.co/q4aW7jbsGC]
Takashi Yamazaki has raised an issue with the Japanese government regarding the budget challenges he faced on ‘Godzilla Minus Zero’.
He reveals the film received a significantly higher budget than ‘Minus One’, and he had hoped this would open up greater creative possibilities. Instead, much of the extra money went toward complying with the new “proper working conditions” rules, and schedules also became longer.
However, he praised “proper working conditions” for reducing crew exhaustion, yet warned that without about 20% government support, mid-budget films will struggle to survive.
(source: https://t.co/5mFLwudUdN)