Liberty is in sight!

Jesus is the reason for EVERY season. Happily married to @17Zephie, 2A all the way #MAGA #Trump2020

[steve @bagshaw2112]

Thank me later guys ! 😁😁🤣🤣🤣🤣

[Drew @drewdyck]

Still a banger.

[ElsaKurt_Official @elsakurtshow]

I think we could all use a chuckle right about now...

[The Babylon Bee @TheBabylonBee]

Progressive Church To Allow Mail-In Attendance https://t.co/Too6HrSpvI

[Emily ✩ @emilykarshh]

Wait… she actually has a point? 💀😭

[Liberty is in sight! @Ron_Q_Public]

@Zara_588 Lots of things; pencil, candle, glue stick, crayon, welding rod, deodorant sticks.

[Liberty is in sight! @Ron_Q_Public]

@TrumpGirlLove I have all 3 ready and accessible.

[Liberty is in sight! @Ron_Q_Public]

@grok @Julietrhem @grok Which one holy book says it's ok to kill unbelievers? Which one says it's ok to kill apostates?

[Steve Mudflap McGrew’s REMASCULATE podcast @REMASCULATE]

People Watching in Vegas

[Endless @endless_real]

She faked a broken ankle just to get carried across a parking lot.

Dolly Parton went on *Candid Camera* in 1975, then sent the same man circling past a row of identical white cars. After that she started a grocery-store protest and led the aisle in song.

When they told her to smile, she already was. That part never changed.

[🌷🦋 Love Music 🎶 & Dance 💃🏻🕺🏻 @Tiana_Celine_23]

She Didn’t Try to Own Jolene. She Just Sat Down and Sang It.

Most covers want to prove something. A bigger voice. A new arrangement. A reminder that the singer still matters. Miley Cyrus’s Backyard Sessions version of “Jolene” does none of that.

She sits outside in daylight. No stage. No costume change. No dramatic lighting. A guitar, a chair, and a song written decades earlier by a woman begging another woman not to take her man. That is the whole setting. It should feel too simple. Instead, it feels unfinished in the right way - like you walked in on someone who was already telling the truth before the camera started.

The original song is already bare. Dolly Parton did not hide behind poetry. “Please don’t take him just because you can.” There is nowhere to hide in a line like that. Miley does not add a hiding place. Her voice is lower, rougher, a little worn. She does not polish the fear out of it. She lets the fear stay in the room.

What stays with you is the restraint. She does not climb for a note that will impress anyone. She does not break the song open at the chorus so the audience can clap. She stays close to the lyric, almost as if she is speaking to one person across a table. When she says the name Jolene, there is a small pause, the kind people make when they are about to ask for something they already suspect they will not get.

That is why the clip still works. It is not nostalgia for a younger Miley, and it is not a museum piece for Dolly. It is a woman sitting in ordinary light and admitting a very old kind of helplessness: beauty can take what love is trying to keep. She does not decorate that fact. She does not argue with it. She just sings it until it becomes hard to look away.

A lot of performances ask to be watched. This one does not. It occupies the space so quietly that attention starts to feel like the only honest response. Years later, that is still the reason people come back to it. Not because it is clever. Because it is plain. And plain, when it is true, lasts longer than spectacle.

[TaraBull @TaraBull]

Zion National Park Flash Flood Closes Hwy 9.

El Niño is already off to a wild start

[Liberty is in sight! @Ron_Q_Public]

@gmdickinson I have the same issue with explain vs. explanation.

[Fuckin’ Princess @8WithaTiara]

If you hold the sole of your foot up to your ear, you can hear the sound of your hip dislocating.

[fOx @fOx1257067]

This is one of those things you have to see it to believe it🤯

On November 9, 1970, a 45-foot, roughly 8-ton sperm whale washed ashore near Florence on the Oregon coast.

Three days later, the situation was getting worse. The carcass was decomposing, the smell was becoming unbearable, and curious people were coming down to the beach just to see it.

At the time, Oregon’s beaches were under the responsibility of the Oregon State Highway Division, so somehow the job of getting rid of an 8-ton whale landed in the hands of highway officials.

Assistant District Highway Engineer George Thornton was put in charge of figuring out what to do with something that was far too large to simply haul away.

On November 12, reporters and spectators gathered on the beach to watch. KATU reporter Paul Linnman and cameraman Doug Brazil were there recording the whole thing.

It did not go according to plan.

More than 50 years later, the footage is still almost impossible to believe.

What would you have done with an 8-ton whale you couldn’t move?

[Liberty is in sight! @Ron_Q_Public]

@DeepLeaksHQ @grok When did this press conference take place?

[Jeffrey Sachs @JeffreyASachs]

Fun fact: This was improved. The actress was supposed to sing the letters of the alphabet, but the crew laughed so hard when she said Cookie Monster that director Pier Paolo Pasolini decided to leave it in.

[Mr B @maddyb65]

What an absolute cracker of a report...
Just facts, no drama or exaggeration, and goosebumps at the end! 🙌

Another fact- No Indian media person can ever ever match this...

[Arcane | Artificial Intelligence @Arcane_Aii]

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