Royalti.io

Catalogue, Contracts, Royalty and Accounting system for music companies

[Royalti.io @RoyaltiIO]

@Fiducial_AI You're right. This was also implemented in follow up updates.

[Royalti.io @RoyaltiIO]

An AI wrote the tool that expands what AI agents can do. Only check: a human reads the diff before it ships.

We open-sourced iyke in May. It grew from 8 tools to 76 in 3 unplanned months.

https://t.co/opqcA0lMN3

#MusicRoyalties #AIAgents

[Royalti.io @RoyaltiIO]

Your AI can read your royalty data. But can it explain your label's own rules, things like your default split when a contract does not spell it out?

Ask Roy now has a knowledge base for that. Teach it once.

https://t.co/JZPXdLNNpY

#MusicRoyalties

[Royalti.io @RoyaltiIO]

One T-shirt can outsell 11,000 Spotify streams. But that income stays yours only if you own your name first. https://t.co/7WehULIUT5 #MusicRoyalties #MusicBusiness

[Royalti.io @RoyaltiIO]

A song can rack up thousands of streams and pay its rights holder $0. Cause: a missing or mismatched ISRC/ISWC code. Here are 3 checks to find the leak in your catalog: https://t.co/f9yPoTEtPW #MusicRoyalties

[Royalti.io @RoyaltiIO]

The UK withholds 20% of your touring fee before you see it. Is there a way to get it back? #MusicRoyalties https://t.co/fbo3SqFoTA

[Royalti.io @RoyaltiIO]

A 6-second drum solo from 1969 has been sampled 5,000+ times. Burna Boy sampled Toni Braxton and kept just 10% of his own song. Permission, credit, compensation; that's the rule. https://t.co/mO2ermlbrT #MusicRoyalties

[Royalti.io @RoyaltiIO]

BMI, ASCAP, MLC: three different file formats. None match your catalog automatically.

https://t.co/FObREPjYPT checks each statement against your registered splits and flags anything off.

https://t.co/7IQEWA2QLc

#MusicRoyalties

[Royalti.io @RoyaltiIO]

Rivals to fans, friends to each other. King Sunny Ade and Ebenezer Obey pushed juju music forward, one album at a time. https://t.co/CMAAfHYMSe #MusicHistory

[Royalti.io @RoyaltiIO]

Springsteen sold his catalog. The Weeknd used his as $1B loan collateral. Swift spent 6 years buying hers back.

Streaming pays for plays, while ownership pays for everything after.

https://t.co/NR6Pqv5lsj

#MusicCatalog

[Royalti.io @RoyaltiIO]

Every DSP wants a delivery package built to its own spec.

Building it by hand, per store, is where indie submissions go to die.

https://t.co/pNmzkznd6a auto-generates it and tracks delivery status per DSP via FUGA.

https://t.co/22TF67EL6z

#MusicDistribution

[Royalti.io @RoyaltiIO]

Streaming is 60% of music revenue. The rest; live, vinyl, sync, merch, D2F mostly goes uncollected.

One channel isn't a strategy. It's a single point of failure.

https://t.co/sPeDBvNP68

#MusicRoyalties

[Royalti.io @RoyaltiIO]

King Sunny Ade and Ebenezer Obey were friends. Their fans didn't know that.

The "rivalry" pushed both to keep innovating — until one landed a Grammy nod.

https://t.co/UrpZK3Xj4n

[Royalti.io @RoyaltiIO]

Work registration status tracked per song. CWR files generated automatically for PRO submission.

No more spreadsheet tracking. No more hand-formatting files for ASCAP, BMI, PRS.

The paperwork nobody wants to do is now automatic. https://t.co/zdErovs4rv

#MusicPublishing

[Royalti.io @RoyaltiIO]

A song can rack up thousands of streams and still pay you nothing.

Usually it's a missing or mismatched ISRC or ISWC.

3 checks for your catalog: https://t.co/f9yPoTEtPW

#MusicRoyalties

[Royalti.io @RoyaltiIO]

Connect one DSP and ask it something about your catalog. https://t.co/ZaztJrgzOl #musictech

[Royalti.io @RoyaltiIO]

"Top 3 tracks by royalties in the last 12 months?" → a ranked list, then the royalty-by-asset table: ISRCs, streams, each track's share. No filters, no CSV export.

[Royalti.io @RoyaltiIO]

Honest bit: it's in beta. Sharpest on whole-catalog questions and named windows. Vague relative dates are the edge we're tightening — but for the questions people actually ask, it's faster than any dashboard.

[Royalti.io @RoyaltiIO]

Amapiano didn't stop being South African just because it started charting in Lagos and London.

Streaming made music borderless. It didn't make it placeless.

https://t.co/FuUCdAnMLV

#MusicRoyalties

[Royalti.io @RoyaltiIO]

Streaming turned song catalogs into a bond-like asset class. Predictable cash flows, while utilizing royalty history as collateral.

$500M for Springsteen. The same math works for Nigerian music once the data is clean enough to price.

https://t.co/K2mRmTgFTh