To increase your visibility with Studies in Eastern European Cinema, you can post your ‘Accepted Manuscript’ (on an institutional repository or an academic networking site after an embargo period of 18 months. For more info, see: https://t.co/sjOFv4FrgO
Tallinn Black Nights Film Festival (PÖFF) announces Hungary as the Focus Country for this year’s 25th edition of the festival. The festival’s Opening Film will be Ildikó Enyedi’s The Story of My Wife
Issue 10.3 of Studies in Eastern European Cinema is out! Enjoy articles on #Slovenian cinema, #Czechoslovak-#Polish cultural transfer, representations of #Chernobyl, Frozen May, The Autobiography of Nicolae Ceauşescu and more! Out now: https://t.co/Hxj8dYGW9g
A gentle reminder: please submit your abstract to the special issue of Studies in Eastern European Cinema by emailing Gábor Gergely ([email protected]) by 30 September, 2019. The deadline for full articles is 31 March, 2020. https://t.co/JoI1nTtbSz
We are happy to announce that Studies in Eastern European Cinema is now included on the European Reference Index for the Humanities (ERIH PLUS). This will allow our contributors even further #exposure and recognition for #impact!
The latest issue of Studies in #Eastern#European#Cinema is out now, with a special focus on cinema and #popular#music in Eastern Europe and guest edited by Győri Zsolt...
Call for Papers: “Film Coproduction in Eastern Europe From 1949 to the Present”
Special Issue of Studies in Eastern European Cinema
Guest edited by Jonathan Owen
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This is a photo from last month's discussion about Eastern European music video I had with Natalie Gravenor. It was a pleasure to see so many people interested in this seemingly obscure topic.
It is with great pleasure that the editorial board of Studies in Eastern European Cinema announces that the journal has been approved for inclusion into the largest database of peer-reviewed literature, Scopus. The... https://t.co/SlnmDMZF9b
Please note that the new special issue of Studies in Eastern European Cinema on Vera Chytilova is now online. Edited by Peter Hames and featuring work by Felicity Gee, Iveta Jusová & Dan Reyes, Jindřiška Bláhová, Luboš Ptáček and others. https://t.co/u2nt3zorCB