@BeatStars I think that a lot of producers take on a roll as a sound engineer thatโs just the producer being a producer to mix their own work so yes, but however, I do think once they get done producing to pass that to the Audio Engineer an get ah cleaner mix
@HOT97 Yo dis Niggah is fukking Trash @kendricklamar aye https://t.co/Rd75OA4J9D stick to producing you and ya Lyrics fell off, You got bodied by ah Singer boy get yo mind right
@BeatStars Man been rocking with this dude for so long we've had some of the best collaboration in the past 10 it's been super amazing professional and personal experience of this industry
@22blow@GRANDMASBOY210@memphisbleek Dis Niggauh here boy shiid speaking From personal space #MemphisBleek
would never be washed or #Hov in fact some of y'all niggas is washed. #Hov has been relevant for the past 3 Decades so that means Bleek is always relevant #Yeahisaidit
Aye Bleek Fuck em on EastSide
@cityisill@KatoProducer Why would he review your song if your not putting in that work for your song to hit Kato's desktop then it's really not worth his time nor mines don't worry we out cha here #PushingP you'll get it one day lol GTFOH review my beat hahaha yeah aight
@BeatStars Well if the tracks are mixed right and we'll produce I feel there's no need for a soft clipper or limiter. Unfortunately if those two need to be in the mix or in the chain. Keep it out Red, Very little yellow, a whole lot green, When Mastering soft clipper and limiter Bus
@BeatStars I use distortion & saturation equally depending on the music and what she needs depending on what elements & instrumentation being used I'll distort in the mix and saturate the vocals
I like the GComp for Distortion
@Fleekosuave_ats@djpain1 Naw that's not it they need producer's like they need us Engineer's 3,500 for an iTunes master, Mix 250Hr Regular Master 1,000 or just go see Dave Penasdo 10,000 per 24 y'all complain about 500 but y'all got bands on da Gram GTFOH y'all new artist shouldn't be so cheap